Kelley Dixon Talks About Editing John Crowley’s ‘The Goldfinch’
“I recognized early on what this kid was going through and how he felt.” […]
Web Exclusives
IN MEMORIAM: Jerry Bender, Madison Avenue Ad Wizard and ‘Say Say Say’ Editor, Remembered by His Daughter
He said, “Mom, I really want to work for that film company.” And she said, “OK, Jerry. You do that.” […]
2019 Emmys: See Photos of the Guild’s Nominated Women at MPEG Awards Brunch
“This event has grown in the most wonderful ways.” […]
PHOTOS: Editors Guild Members Join the March at 2019 NYC Labor Day Parade
Local 700 members turned out for a strong showing of worker support. […]
Emmys 2019: Foley Team Alyson Dee Moore and Chris Moriana Make the Right Noise on ‘Barry’ and ‘Star Trek: Discovery’
“This isn’t the real world … That’s our challenge, right?” […]
Emmys 2019: How the Team Behind ‘Deadwood: The Movie’ Captured the Sounds of the Old West
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.” […]
EditFest 2019: Here’s the Real Difference Between Cutting Scripted and Unscripted. (Hint: There Isn’t One.)
“There’s a misperception that if you cut scripted, you can’t cut reality.” […]
Time’s Up Takes on Latest Frontier in Battle Against Sexual Harassment and Inequality: Post-Production
“It puts the company on notice. They can’t deny that it occurred.” […]
OPINION: Our Wasteful Habits Are
Killing the Environment. Here’s How
Post-Production Can Help
As post-production workers, we need to realize that the issue of waste and its impact on the environment cuts close to home. […]
Emmys 2019: Laura Weinberg Unpacks the Editing in Netflix’s ‘Russian Doll’
“Comedy is very subjective, and it’s so hard to do.” […]