‘Beetlejuice Beetlejuice’: Jay Prychidny on Editing in Tim Burton’s World
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
By Kristin Marguerite Doidge If there’s one message Local 700’s “Labor-to-the-Polls” workgroup would like to send out to its […]
“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.” […]
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
“I do feel like I am an artist-editor, and I found my medium in college.” […]
“It can be scary to think about the state of the industry and the livelihood of the professionals in it, but my instinct has always been to lean on the community and to have solidarity in the face of that uncertainty.” […]
By Guild Staff The Editors Guild has received a $200,000 anonymous donation to its Hardship Fund, a boost that is […]
The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]
By Kristin Marguerite Doidge The human element of the hit Netflix sci-fi thriller, “3 Body Problem,” is what helped […]
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