Guild
Cathy Repola Announces Retirement as MPEG National Executive Director in January 2025
Repola has worked 32 years for the Editors Guild and has served in her current role since 2016. […]
Web Exclusives
Web Exclusives
Susana Benaim Talks Editing Hulu’s Sports Drama ‘Clipped’
By Patrick Z. McGavin Susana Benaim has built an impressively varied career. Upon arriving in Hollywood, the Venezuelan-born picture […]
Web Exclusives
WHAT OUR MEMBERS DO: Kira Belin, Music Editor
“In my opinion, it’s a three-dimensional career.” […]
Web Exclusives
How the Post Team of Netflix’s Reality Competition Series ‘The Circle’ Pushed Boundaries of Time and Space
The popular Netflix social media competition series was previously being shot and edited in the U.K., but recently came to the U.S. for seasons six and seven (the latter yet to be aired) under an IATSE contract – a huge win for the talented team of editors working on the show. […]
Web Exclusives
WHAT OUR MEMBERS DO: Emily Yang, Y-9 Recordist & Mix Tech
“I have always been drawn to storytelling through various mediums, whether it’s through sound or visual media. It was during my time at Berklee College of Music that I delved deeper into the intricate soundscape of film and animation.” […]
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Sandra Adair Pieces Together the Editing Behind Richard Linklater’s Hit ‘Hit Man’
“If you can keep an audience connected to the character and the story, and not lose them on pacing, then you’re doing your job well.” […]
Web Exclusives
Sofi Marshall Talks Editing Horror Feature ‘I Saw the TV Glow’
By Patrick Z. McGavin As an undergraduate in the film department at Boston University, Sofi Marshall made a crucial […]
Web Exclusives
WHAT OUR MEMBERS DO: Payton Halbeisen, Assistant Editor
“The more I worked with her, the more I realized it’s possible to make a difference in post-production. She really encouraged me to cut as much as possible and saw the assistants as creative collaborators — which is rare among editors.” […]
Web Exclusives
‘The Jinx’ Redux: Picture Editor Shelby Siegel Recalls Finding the Audio That Sealed the Fate of Robert Durst
“Not every project will have a smoking gun, but you won’t find it if you’re not allowed to look.” […]
Web Exclusives
Franzis Müller Tells How She Tracked Down the Best Cuts in ‘Death and Other Details’
“I’m someone that likes to solve puzzles, or build Legos, that kind of king. The way I view editing is just having a lot of pieces together, with not necessarily a clear vision of what you want from start to finish, but you’re molding and building it for a while, and then you get to the final picture.” […]
