
What Our Members Do: Yasuhiko Inoue
My job is to dance with footage and strike a pose or two in the routine; I find the best moment, rhythm, angle in the footage. […]
My job is to dance with footage and strike a pose or two in the routine; I find the best moment, rhythm, angle in the footage. […]
There probably isn’t a more iconic 20th century figure than Albert Einstein, given that his scientific work literally changed the course of world history and how humans view the universe. […]
Maybe two-thirds of my job involves reading screenplays, novels, non-fiction books, plays, teleplays and treatments. I evaluate their potential as movie or television projects. […]
Last year, the Editors Guild’s Diversity Committee sent out its first survey to gather preliminary information about the Local 700 membership. […]
More than 40 people filled the Dede Allen Seminar Room at the Hollywood offices of the Motion Picture Editors Guild on Saturday morning, March 18 for the third installment of the four-part “Meet the Artists” discussion series. […]
The Motion Picture Editors Guild will honor member Lillian E. Benson, ACE, with its prestigious Fellowship and Service Award on Saturday, April 8, 2017 at a dinner at the Sheraton Universal Hotel. […]
Early Saturday morning, February 25, the line stretched around the block from the American Cinematheque’s Egyptian Theatre to attend the 17th Annual Invisible Art/Visible Artists program presented by the American Cinema Editors (ACE). […]
In post-production, I conform the music to any picture changes. On the mix stage, I deliver the full music Pro Tools session to the re-recording mixer, and then serve as an ambassador for the music. […]
The 89th Academy Awards nominees in the Best Sound Mixing category cover a broad cross section of films, ranging from the story of an alien invasion to betrayal in Libya, through a harrowing WWII battle, musical fun in the Big Orange and a pan-galactic escapade. […]
On January 24, the Academy of Motion Picture Arts and Sciences revealed its list of nominees for the 2017 Oscars. The sound editing teams behind Arrival, Deepwater Horizon, Hacksaw Ridge, La La Land, and Sully were all nominated. CineMontage spoke to these sound editors about the challenges and highlights of working on their respective movies. […]
©2016-2021 Motion Picture Editors Guild