At the 2019 Oscars, the nominees in the Sound Mixing category have worked on a wide variety of movie genres, from the super-heroes of ‘Black Panther’ to the Oscar-nominated Rami Malek’s turn at stadium rock with the band Queen in […]
As on previous occasions, the 91st Academy Awards nominees in the Best Sound Editing category covered a number of noteworthy narratives, from the hidden but advanced kingdom of Wakanda, through a biopic of a 1970s rock ensemble […]
This year, for the first time since the Academy started giving an Oscar for Best Editing in 1934, all five editors were nominated for their work on movies based on actual events, with casts largely portraying historical figures. Two of the […]
Guillermo del Toro on the passionate collaboration of the director and the editor. […]
The sound editing teams behind Bohemian Rhapsody, Roma, A Quiet Place and Spider-Man: Into the Spider-Verse were the winners on the film side, while The Americans, Atlanta, The Marvelous Mrs. Maisel and Westworld led the TV series side. […]
The Cinema Audio Society Award for Outstanding Feature Sound Mixing was presented to the mixing team from Bohemian Rhapsody of John Casali, Paul Massey, Tim Cavagin, Niv Adiri, CAS, Mike Tehrani, Glen Gathard, Jemma Riley Tolch. […]
‘Bohemian Rhapsody’ (edited by John Ottman, ACE) and ‘The Favourite’ (edited by Yorgos Mavropsaridis, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy) respectively at the 69th Annual ACE Eddie Awards on February 1. […]
The Motion Picture Sound Editors (MPSE) has announced the nominees for the 66th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past […]
The nominations for the 91st Academy Awards, honoring the films of 2018, have been announced. Academy members from each of the 17 branches vote to determine the nominees in their respective categories. […]
While working at 20th Century Fox in the early 1990s, story analyst Christine Culler was assigned a steady diet of romantic comedies and children’s books. Then, in 1995, a different sort of project came across her desk: ‘Minority Report,’ a futuristic suspense film, heavy on action and low on meet-cutes. […]
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