What Our Members Do -

What Our Members Do:
Takako Ishikawa

October 1, 2018

As a rare Japanese sound editor here, I hope I will survive in this industry with few female sound editors in general and even fewer female SFX editors.

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What Our Members Do: Marquita “Lyric” Ramsey

September 1, 2018

Time is a huge challenge, with schedules for episodes getting shorter and shorter. I think it’s key to be honest with producers and post supervisors — if you’re drowning in material and feel you need extra support, say it!

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What Our Members Do:
Seth Glennie-Smith

August 1, 2018

For me, the most exciting part of the job is taking music written by the composer and finding sneaky ways to reintegrate it into different parts of the show. This not only establishes thematic continuity, but also helps speed the process along.

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What Our Members Do: Jeffrey Osmer

July 2, 2018

My primary job is to identify and “tag” an asset into our tracking system to be able to quickly retrieve that item in the future. We consistently field department requests to retrieve their previously created content.

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What Our Members Do: Isabella Rupp

June 1, 2018

I am both technical director and crew chief. As technical director, I am the co-pilot and the director is the pilot. Our team of 30 brings producers’ scripts to life through pictures and sound that best show and tell the story.

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What Our Members Do: Alex Robinson

May 1, 2018

As assistant editor on the show, my primary responsibility is to support the editors in whatever manner necessary. I also get lots of opportunities to practice cutting scenes and address notes from the editors.

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