“The pandemic has allowed us to realize we can change our minds. You can work your whole life toward something and then, after doing it a while, realize it’s not for you. And that’s ok.” […]
“Assistant editing is really dualistic. There’s all the technical stuff: dailies intake, media organization and QC, prep for the editor, spot checks and vendor turnover, but it also requires the ability to flip and do a lot of creative work.” […]
Where are you currently employed? I’m currently working for Sony Pictures Television. I also serve as an assistant editor representative […]
“We were trying to support Wanda’s emotional journey through the different eras.” […]
When you worked with Angela, you knew everything would turn out perfectly. […]
After “Sully,” Murray cut “The 15:17 to Paris” for Eastwood, “Glass” for M. Night Shyamalan, and recently finished “The Water Man” for actor-cum-director David Oyelowo. […]
As Hollywood continues to move toward reopening, Avid CEO Jeff Rosica caught up with The Hollywood Reporter, sharing the company’s views on a range of topics from the future of remote and […]
“It’s such a privileged thing to take the leap from assistant editor.” […]
“It’s really important to have hobbies and a life outside of assistant editing because it’s actually the best way I’ve built my network and met new people.” […]
You don’t have to be a rabid consumer of 1980s-era popular culture to work on the Netflix science-fiction series “Stranger Things.” But it doesn’t hurt. […]
©2016-2021 Motion Picture Editors Guild
