Now, after years of field-testing pre-release versions of ACES on selected projects, ACES version 1.0 is finally available as, according to the Academy […]
Television has its own way of telling stories, on screen and in the cutting room.
Even though I grew up on black-and-white television, color became my way of life. […]
The Wizard of Oz re-released on home video? Again? That’s a question that’s going to be asked a lot as the studios finally dip into their libraries to release evergreen films, ingrained in our cultural consciousness, in the Blu-ray format. And nothing is quite as ingrained as The Wizard of Oz, one of the most watched and beloved films of all time. […]
John Thornton Caldwell, a Professor of Cinema and Media Studies at UCLA, has published an up-to-date field study of contemporary production. […]
Though their jobs run the gamut from low-tech to the highest levels of digital file management, they all have certain attributes in common: an ability to step into a variety of situations. […]
The tools for color correction will evolve fairly rapidly and there may be a necessity for a second edition of this book at a certain point in the future. […]
CineMontage spoke to a handful of Los Angeles-based colorists to get a picture of what telecine was, how technology has transformed it, and how they see their role in the color correction suite. […]
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