Adorned in every color out in the galaxy, gorgeous drag queens strutted the runway with pizzazz and style in the Editors Guild’s Dede Allen Seminar Room, in clips on screen, though not in person, on a Saturday evening in early April. […]
I work as a Digital Media Operator for Fox Media Services at 20th Century Fox. My work varies day to day. I work on feature mastering, currently aired programs (Fox, NBC, ABC, FX, NatGeo, AMC), and our library content. […]
In a nondescript Burbank falafel joint on a sweltering Sunday afternoon in July of last year, co-workers crowded around an impromptu conference table made up of several four-tops pushed together. A tacky film adhered to the furniture, as is typical of greasy spoons. Sweaty forearms clung stickily to gummy tabletops. […]
By a vote of 89%, employees of Deluxe Technicolor Digital Cinema have overwhelmingly ratified their first union contract.
The three-year agreement between the company and the Motion Picture Editors Guild covers technicians responsible […]
The delegation of nearly twenty employees delivered a petition from the company’s roughly seventy unionized employees, calling upon their employer to negotiate in good faith to bring wage rates in line with industry standards. […]
By a vote of 43-20, employees of Deluxe Technicolor Digital Cinema on Thursday voted to join IATSE and its postproduction local the Motion Picture Editors Guild. This comes a year after postproduction technicians and artists at Deluxe’s […]
Among the challenges of creating The Hateful Eight in “glorious 70mm,” as filmmaker Quentin Tarantino described it in his original screenplay, was the fact that it required an overall post workflow that was highly irregular in many respects — both a throwback to an earlier era and extremely complex at the same time. […]