With a promise of offering a novel direction for HBO’s multiple-Emmy Award-winning sci-fi drama ‘Westworld,’ its second season is also breaking new ground in the sound department. […]
Few Americans, even those who work with motion picture sound, have heard of the Tagefon and Shorinofon systems, but readers interested in the intricacies of how sound first meshed with cinema can learn about these machines and the artists who used them. […]
Music editor Mitsuko Alexandra Yabe exemplifies the possibilities offered by the world of post-production if one is willing to throw oneself in and find one’s way. Yabe was born in New York but grew up in Tokyo, where she trained in violin and taught herself guitar. […]
In ‘The Last Waltz,’ released by United Artists 40 years ago in April 1978, director Martin Scorsese trained his cameras on what was intended to be the last concert of the Band at San Francisco’s Winterland Ballroom. […]
Growing up in Tucson in the late ’70s and ’80s, I enjoyed cartoons. Some I learned were originally Japanese produced and were re-picture-edited, re-dubbed and re-marketed to US audiences. Later, I got an idea that I wanted to be a part of this — and create better-sounding — animation. […]
In 2012, Sound One, the studio I was working at, abruptly closed (with one week’s notice!) and I had about four or five months of solid work lined up ready to start in three weeks or so. […]
On July 23, 1967, a police raid on an unlicensed after-hours bar in Detroit precipitated five days of major racial violence. A half century later, director Kathryn Bigelow presented a vivid perspective on this uprising and its place in our social history in the film ‘Detroit.’ […]
When I was born and raised in the west San Fernando Valley in the late 1950s; television was black-and-white, radio was mono and AM radio channel KHJ with “The Real Don Steele” was the coolest thing. […]
“Foley artists create sounds in sync with actions seen on screen. We will make the footstep sounds for every character in a film, giving their steps the personality the actor portrays on camera.” […]
After the publication of my article, “Automatic for the People,” in the last issue of CineMontage (Q1 2017), I received […]
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