George Cukor’s ‘The Philadelphia Story’
Only Richard Curtis seems capable of executing scripts that harken back to ‘The Philadelphia Story’s’ complexity. […]
Only Richard Curtis seems capable of executing scripts that harken back to ‘The Philadelphia Story’s’ complexity. […]
James Blakeley, the legendary and highly respected film editor looks forward to driving 10 minutes to the office every work day; and he thoroughly enjoys editing film with 79-year-old Rudolpho (Rudy) Freeman. […]
Yep, it’s a comedy/sex/Western spoof with one-of-a-kind performances from Fonda and Lee Marvin. […]
The Kinetophone was the ancestor of a steady line of emerging technologies-film, recording, reproduction and amplification-that through trial and error would converge to create the technology of optical, monaural sound. […]
Thirty-five years ago, our colleagues at the prestigious film journal Film Comment in New York published a special 24-page section celebrating film editors — “Prime Cut” — which appeared in its March-April 1977 issue. […]
Beyond pure entertainment value, those looking for substance will find it. For audiences in 1938 theaters, ‘The Adventures of Robin Hood’ played as a warning to resist oppressors who were currently taking hold in Europe. […]
Like in the Shangri-la it depicts, ‘Lost Horizon’ has proven ageless––and that is its legacy. […]
By consuming the wine and wafer, we vicariously channel the divinity of Christ, and, by watching ‘Rio Bravo’, I was vicariously channeling the courage of John Wayne. […]
Clowns is a hilarious, startling mix of stage-bound dialogue scenes and wildly inventive montages scored by marches, Dixieland jazz and, occasionally, Jason Robards strumming a ukulele. […]
The Vitagraph Studio was the veritable cradle of the film industry. […]
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