The Motion Picture Editors Guild honored veteran post-production executive and producer Martin Cohen with its Fellowship and Service Award at the Sheraton Universal Hotel on Saturday night, October 5. […]
“We wanted to do something different, not just from Batman, but from all comic-based films.” […]
“There were a few dance moves that made my jaw drop.” […]
“’Ad Astra’ is an existential journey. The further Roy McBride travels out into space, the deeper we go into his soul. It’s really a dive into the subconscious.” […]
“I recognized early on what this kid was going through and how he felt.” […]
“This was a huge volume of footage, making it one of the most challenging projects of my career,” says Jordan. […]
Since making his first independent film, “The Return of the Secaucus Seven,” Sayles has established a unique relationship with the industry. […]
“We very consciously wanted to create the late Seventies in Hell’s Kitchen, which was massively dirty. It was loud and it was nasty.” […]
The director fought censors on both sides of the Atlantic from the start of his career to the very last. […]
In 2003, after sound editor, sound designer and re-recording mixer Ron Bochar, CAS, completed work on Mike Nichols’ miniseries Angels in America, he felt good about what he and his sound colleagues had accomplished. He felt so good, in fact, that part of him wished he could simply call it a career. […]
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