Mixing the French Way: Working on ‘Le Divorce’ in Paris
I recently traveled to Paris to mix ‘Le Divorce’. […]
I recently traveled to Paris to mix ‘Le Divorce’. […]
Editor Thelma Schoonmaker and director Martin Scorsese discuss the opening sequence from ‘Gangs of New York.’ […]
Film editor Richard Chew and music editor Curt Sobel talk about how digital technology has affected their jobs, the recent trend toward shortened schedules, the difference between tracking and working with a composer, and more. […]
The job of the assistant editor has changed substantially over the last decade. […]
In this conversation, Richard Chew and Curt Sobel talk in detail about the process of music editing and how they’ve worked together to tell a story with music. […]
Frank Urioste and Peter Honess talk about their films, their careers and the changes they’ve seen in the business.
Steve Mirkovich and Allen Daviau discuss the importance of defending their crews, why they choose one project over another, and how they deal with the stress of tight schedules. […]
Steve Mirkovich and Allen Daviau talk about problems with previews and video dailies, the longevity of 35mm film, changes in editorial styles and more. […]
Frank Urioste and Peter Honess talk about the movies most pivotal to their careers, the evolution of filmmaking and working in the executive suite. […]
Carol Littleton offered her impressions of the format, and described the advantages and pitfalls she encountered. […]
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