R.K.O. 281: Alex Mackie Encounters the Legend of Citizen Kane
Alex Mackie came to the U.S. from England and joined Local 700 to edit Danny Cannon’s Judge Dredd, she probably had no idea what career trails she was blazing. […]
Film
Controlled Chaos: Bill Abbott’s Music Editing on ‘Any Given Sunday’
“I worked with the sound people creating the backgrounds for the radio station, commercials, and newscasts-it opened my eyes to post-production. That’s when I realized I’d like to be a music editor.” – Bill Abbott
David Saxon’s Golden Ticket
Looking back on a fulfilling career, David Saxon reflected on his affinity for editing. […]
Relationships & Process: A Conversation with Mark Goldblatt, ACE
In this interview, Mark Goldblatt reflects on some of the enduring challenges that editors have always faced and discusses some newer issues, as well. […]
Delving Inside The Post-Production Of ‘THE INSIDER’
Picture Editors Bill Goldenberg, Paul Rubell and David Rosenbloom sit down and discuss ‘The Insider’ […]
‘THE INSIDER’s’ Sound King: Supervising sound editor, Greg King
Among his other major credits of the year, Greg King created the myriad sounds for Michael Mann’s ‘The Insider.’ […]
An Interview with ‘Titanic’ editor Conrad Buff, ACE
Conrad Buff sits down with the Editor’s Guild Newsletter to discuss editing ‘Titanic’ […]