
UNION MADE: The Symmetry of an Editing Career
Production felt like endless problem solving––whereas editing was about storytelling using a vocabulary of images and sounds, and that excited me. […]
Production felt like endless problem solving––whereas editing was about storytelling using a vocabulary of images and sounds, and that excited me. […]
With an electronics background in the Guard, I acquired a 1st Class FCC license in the hope that it might open a door to the industry––and it did! […]
I joined the Motion Picture Sound Editors’ Board of Directors, eventually becoming the first woman president in 1984, and also served on the Executive Committee of the Sound Branch of the Academy of Motion Picture Arts and Sciences. […]
These young people, at least those who do manage to find a way into this crazy business, are the future of this Guild. […]
The Made in NY incentive program, featuring a unique package of tax credits, free outdoor advertising and vendor discounts, has boosted the industry in a big way and we’ve seen a significant increase in employment and local revenues. […]
To help us celebrate the 70th anniversary of the Motion Picture Editors Guild, our colleagues at the prestigious film journal Film Comment in New York have allowed us to reprint copy from their special 24-page section celebrating film editors […]
I’ve met and worked with people who are fascinating and talented. Movies are in my blood, and it has been a fulfilling, exciting and gratifying experience. […]
A brief look back at the history of New York Local 771. […]
Growing up in Connecticut, I had no idea how movies were made. I thought that they just “happened.” […]
People ask me how I got started in music editing. To be honest, it was a total fluke. […]
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