Music Editor

I’ve met and worked with people who are fascinating and talented. Movies are in my blood, and it has been a fulfilling, exciting and gratifying experience.

The initial rock ‘n’ roll films produced in the mid-1950s are more interesting today as artifacts than as art.

People ask me how I got started in music editing. To be honest, it was a total fluke.

Scott Stambler is normally a music editor––but on this version of Payback, he’s composing for the first time.

It’s never acceptable to let people take advantage of our time, skills and talent.

Most recent award victors queried actually admitted, that if you’re good at what you do, you’ll get work––award winner or not.

Film editor Richard Chew and music editor Curt Sobel talk about how digital technology has affected their jobs, the recent trend toward shortened schedules, the difference between tracking and working …

In this conversation, Richard Chew and Curt Sobel talk in detail about the process of music editing and how they’ve worked together to tell a story with music.

Picture Editor Don Brochu, sound effects supervisor Bruce Stambler and music editor Chris Ledesma joined forces for this fireside chat that focused on collaboration and the importance of sound.

“I worked with the sound people creating the backgrounds for the radio station, commercials, and newscasts-it opened my eyes to post-production. That’s when I realized I’d like to be a …