UNION MADE: Music in the Womb, Movies in the Blood
I’ve met and worked with people who are fascinating and talented. Movies are in my blood, and it has been a fulfilling, exciting and gratifying experience. […]
I’ve met and worked with people who are fascinating and talented. Movies are in my blood, and it has been a fulfilling, exciting and gratifying experience. […]
In the age of YouTube, making movies no longer seems complicated. With an expanding range of visual media and easy access to affordable camcorders and editing software, many can shoot and arrange scenes without a big crew. […]
“There is an element of gravitas in Thor that one doesn’t necessarily associate with a movie based on a comic book,and this is juxtaposed with laugh-out-loud humor. The ability to juggle those two tones is one of Kenneth Branagh’s great strengths, and is somewhat unusual for this kind of movie.” – Paul Rubell, A.C.E. […]
Scott Stambler is normally a music editor––but on this version of Payback, he’s composing for the first time. […]
Hutshing’s career has certainly come a long way from the time he arrived in Los Angeles after college in 1981 and hustled for work by advertising himself as an “editor for hire” on the bulletin boards at UCLA. […]
CineMontage spoke with Michael Tronick, A.C.E. as he was finishing work on ‘2 Guns’. […]
‘Music Editing for Film and Television’ gives ample attention to the artistry and personal character required to master this specialized profession. […]
The initial rock ‘n’ roll films produced in the mid-1950s are more interesting today as artifacts than as art. […]
Tass Filipos tells CineMontage about his experience as a music editor.
‘Taking Woodstock’ is a movie of source music—and not just the kind that comes from a radio playing on a tabletop. Designed to blend seamlessly with the needle-drop tunes, a lot of that was provided by the “live” hippies. […]
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