Digital Desperado: Robert Rodriguez’s HD Noir

May 1, 2005

Frank Miller’s Sin City represents a new breed of digital filmmaking. It’s a practical example of what the 4:4:4 HD filmmaking revolution is about and its creation is a demonstration of the workflow that filmmakers use to create digital films of striking image quality. […]

Cutting in Cinematic Time

March 1, 2005

With Mary Ann Doane’s highly theoretical meditation, the reader is challenged to reflect on the representation of time in film. […]

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