Making the Scene: A Backward Look at Filmmaking
Richard Pepperman examines the “great choices” that produce a great scene. […]
Richard Pepperman examines the “great choices” that produce a great scene. […]
This whole career is a prime example of how important relationships and networking can be in our line of work. […]
Every few years, a motion picture editor should read this book to clear the field of view and refresh the vision about what the craft is all about. […]
All of the opportunities that I’ve had as a Guild editor are blessings. And yet, I still feel like I’m just getting started… […]
By juxtaposing the four ancient and modern eras, Griffith replicated the synapses of the brain that can connect nonlinear information. […]
To this day, I’m not sure how I get jobs. I try to have a plan. I even try to network and keep informed. But jobs come and go for the most quixotic reasons. […]
Getting to work with the editors makes the ups and downs of the last 51 years in this business, the greatest ride anyone could have. […]
‘Lawrence of Arabia’ resonated far more deeply than anything I had seen to that point. […]
I remembered how the same footage in Brazil was used to portray extreme opposites of emotion, and realized I too could manipulate the footage shot in Reality to better reflect the story we needed to tell. […]
Growing up in Connecticut, I had no idea how movies were made. I thought that they just “happened.” […]
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