Learn the Craft, But Don’t Overlook the Art
It’s not that ‘Grammar of the Edit’ is wrong. It is just incomplete. […]
It’s not that ‘Grammar of the Edit’ is wrong. It is just incomplete. […]
The emergency lights flickered on and off. I found myself 30 feet in the air hanging onto the edge of a railing. […]
Movies — or films, as I would call them when I was growing up in the United Kingdom — have always been a huge part of my life. […]
Hollywood’s business is the merchandising and recycling of myth — especially the myth of the tragic Hollywood star (Judy Garland, Marilyn Monroe, Elvis Presley, etc.) in biopic or documentary form. […]
Shortly after graduating film school, I saw the motion picture City of God (Cidade de Deus) in a small art house theatre. I remember thinking to myself, “This is one of the best movies I have ever seen.” […]
The film touched Carol’s heart because its characters and events were recognizable to her family. […]
The editor described the first part of the picture as “quite humorous at times,” which would have helped audiences accept the tragedy of the second half. […]
One century ago, on February 8, 1915, David Wark Griffith’s ‘The Birth of a Nation’ premiered under its original title, The Clansman, at Clune’s Auditorium in Los Angeles. […]
Sometimes a title can be misleading, but in the case of The Authentic Death & Contentious Afterlife of Pat Garrett and Billy the Kid: The Untold Story of Peckinpah’s Last Western — the title, including ampersand — is part and parcel of ACE member Paul Seydor’s exactingly told story. […]
In a career spanning nearly 45 years, supervising sound editor Anthony J. “Chic” Ciccolini III has worn many hats. […]
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