Walter Murch on ‘Apocalypse Now’
Francis Ford Coppola’s Apocalypse Now (1979) opens with a bang that befits its subject: the Vietnam War. […]
Francis Ford Coppola’s Apocalypse Now (1979) opens with a bang that befits its subject: the Vietnam War. […]
The wordsmith and the war correspondent were an item for not even a decade. Ernest Hemingway and Martha Gellhorn made each other’s acquaintance in 1936, married in 1940 and divorced in 1945. […]
At a preview screening of the film Chinatown in summer 1974, an official from the City of Los Angeles Department of Water and Power is reported to have remarked, […]
A bright, white light was shrouding my vision. The thundering applause from several thousand hands was engulfing my hearing. All I could feel was the thumping of my heart as the adrenalin was coursing through my veins like a tidal wave. […]
Most directors strive to set a tone on their movie sets. Director Alan Rudolph, however, establishes the mood before the cameras roll. […]
The number of books dedicated specifically to motion picture editing is not large. There is a steady supply of how-to guides, often geared to specific technologies […]
Right, how do we want to do this? I know, let’s start gently with, ‘Welcome back to the show’ before the break…then we’ll go with the classic segue, ‘Someone else with high hopes is…’ Make sure you inflect at the end there. And we’ll finish with an epic, ‘Twenty nervous contestants…but only one…will change…his life…forever!!!’” […]
by Barbara Pokras, ACE I was lost. I had no idea what I wanted to do with my life. It […]
In the countless comedies he has written, directed and starred in during his 50-year career, Woody Allen comes across as a chatterbox. His on-screen persona is forever opining, grousing or whining about one thing or another. […]
Steve Hullfish knows how to talk with editors. In addition to writing five previous books (all published by Focal Press), including The Art and Technology of Digital Color Correction and Avid Uncut, he has extensive post-production credits in both television and film. […]
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