Re-recording mixers Kevin O’Connell and partner Beau Borders have been working tirelessly since last October on mixing Michael Mann’s period gangster crime drama Public Enemies. Mann’s passion for detail and authenticity has been the hallmark of the film’s sonic nuances, according to O’Connell. […]
Once again, the Academy Awards nominees in the Best Sound Mixing category cover a wide cross section of offerings — from a hearing-challenged getaway driver to a family squabble across multiple dimensions […]
he Academy of Motion Picture Arts and Sciences announced the nominations for the 2018 Academy Awards. […]
The Cinema Audio Society announced the nominees for the 54th Annual CAS Awards for Outstanding Achievement in Sound Mixing for 2017 in seven categories. “The CAS would like to congratulate all our nominees for their fine work in 2017″ […]
Picture editor Maryann Brandon, ACE, and sound editor/sound designer/re-recording mixer Ai-Ling Lee have accepted invitations to join the Science and Technology Council of the Academy of Motion Picture Arts and Sciences. […]
As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society (CAS) and Motion Picture Sound Editors (MPSE). […]
The eponymous hero of ‘Baby Driver,’ played by Ansel Elgort, is forced to work for a veteran kingpin in exchange for the start of a better life. […]
Over the past decade, production sound mixer Chris Newman, CAS — who has been something of a mentor to me during my whole career — has been retired from working on the set and has been teaching a production sound recording class at the School of Visual Arts in New York. […]
The 89th Academy Awards nominees in the Best Sound Mixing category cover a broad cross section of films, ranging from the story of an alien invasion to betrayal in Libya, through a harrowing WWII battle, musical fun in the Big Orange and a pan-galactic escapade. […]
“I mix and supervise feature films and episodic television. Since I live in a smaller market with limited union opportunities, I also work as a music editor on some movies.” […]
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