Tom Fleischman and Sound Editors Eugene Gearty and Philip Stockton Reveal the Silent Secrets of ‘The Irishman’
“Marty is totally focused on telling the story.” […]
Re-recording Mixers
Cinema Audio Society Nominates Dozens of Guild Members for Sound Mixing Awards for ‘Irishman,’ ‘Ford v Ferrari,’ more
“Joker,” “The Irishman,” “Rocketman” and more get nominations for CAS prize […]
How Can Women Advance in Post Careers? Four Top Pros Shared Their Tips and Personal Stories at Power Summit
The panel, moderated by Guild National Executive Director Cathy Repola, offered a front-line perspective on issues faced by women in post-production, with tips, personal stories and practical wisdom from four pros in the industry. […]
Randy Thom on ‘Making Waves,’ the Documentary That Gives Voice to 90 Years of Sound in Movies
“Sound is generally undervalued as a creative asset, and sound people are undervalued as creative contributors.” […]
What Our Members Do: Michael Babcock, Supervising Sound Editor/Sound Designer/Re-Recording Mixer
“I do my most creative work when there are constraints.” […]
Now Hear This: 2019 Mix Event at Sony Gave Sound Pros a Chance to Pick Up Secrets Buried in the Tracks
“The show’s music sets the tone.” […]
EMMYS 2019: Here Are All the Guild Members Who Won Creative Arts Awards Over the Weekend
Held Saturday and Sunday nights in Downtown Los Angeles, the awards honor creative and technical achievement in numerous categories, including picture and sound editing, sound mixing, and technical direction. […]
What Our Members Do: Jillinda Palmer, Music Editor
“My biggest challenge is navigating the dynamics between producers and mixers.” […]
Emmys 2019: How the Team Behind ‘Deadwood: The Movie’ Captured the Sounds of the Old West
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.” […]
What Our Members Do: Geraldo Gutierrez
“Watching ‘Lost’ was one of the reasons I wanted to get into audio post production.” […]