Right, how do we want to do this? I know, let’s start gently with, ‘Welcome back to the show’ before the break…then we’ll go with the classic segue, ‘Someone else with high hopes is…’ Make sure you inflect at the end there. And we’ll finish with an epic, ‘Twenty nervous contestants…but only one…will change…his life…forever!!!’” […]
As the Motion Picture Editors Guild enters its 80th anniversary year, it’s important to recognize that 2017 also marks the 90th anniversary of the commercial ascendance of motion pictures with synchronized sound, which were called “talkies.” […]
MGM’s The Dirty Dozen, directed by Robert Aldrich, had its world premiere at Loew’s Capitol Theatre on Broadway in New York City 50 years ago, on June 15, 1967. Based on the novel by E.M. Nathanson, it depicts 12 court-martialed American soldiers sentenced to death or long-term prison sentences. […]
The title of Lawrence Weschler’s book, “Waves Passing in the Night: Walter Murch in the Land of the Astrophysicists,” is complex and slightly mysterious, fitting for an exploration into the mind of legendary picture editor, sound designer, sound editor, re-recording mixer, writer and director Walter Murch, ACE, CAS, MPSE. […]
If you’re a Pro Tools instructor, ‘Audio Production Basics With Pro Tools | First’ provides a guided, formal course of study that will turn beginners into Pro Tools engineers. […]
Cinemontage talked to Robert Knudson in his office on Seward Street for this two-part interview. […]
Robert Knudson talks about schedules, ‘eye-ear coordination’ and drugs and alcohol in the ’60s. […]
Kay Rose talks about the relationships between mixers and sound editors, her role as an independent and the power of sound to create drama and shape story.
Production mixer Chris Munro, sound editor Victoria Rose Sampson and re-recording mixer Leslie Shatz share their different points of view about sound. […]
Joseph “Jay” Duerr’s interview with Walter Murch. […]
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