What Our Members Do: Marko Costanzo
“Foley artists create sounds in sync with actions seen on screen. We will make the footstep sounds for every character in a film, giving their steps the personality the actor portrays on camera.” […]
“Foley artists create sounds in sync with actions seen on screen. We will make the footstep sounds for every character in a film, giving their steps the personality the actor portrays on camera.” […]
On July 23, 1967, a police raid on an unlicensed after-hours bar in Detroit precipitated five days of major racial violence. A half century later, director Kathryn Bigelow presented a vivid perspective on this uprising and its place in our social history in the film ‘Detroit.’ […]
Growing up in Tucson in the late ’70s and ’80s, I enjoyed cartoons. Some I learned were originally Japanese produced and were re-picture-edited, re-dubbed and re-marketed to US audiences. Later, I got an idea that I wanted to be a part of this — and create better-sounding — animation. […]
The vault is the very first department through which each media asset goes. My job is to make sure that each asset is assigned a unique barcode number and that every single detail is entered into our inventory system for all tracking purposes. […]
Most recent award victors queried actually admitted, that if you’re good at what you do, you’ll get work––award winner or not. […]
A very summer, my family got invited to the Paramount Studio picnic by my uncle, Al Zuniga. New movie and TV stars would appear; most notably for me were the Cartwrights from Bonanza. Al was Paramount’s trailer editor and his job really intrigued me. […]
I started editing quarter-inch reels of recorded audio sessions, then got bumped up to an assistant working with film on a Moviola. I was surprised by how much I liked it.
The independent movie is infused with the iconic sounds of the 1960s group and shows the in-studio process. […]
The old edict “Necessity is the mother of invention” certainly rings true for Foley artists — the people who create sounds for film and television. To be a Foley artist is to be creative and detail-oriented, intuitive and analytical; they must be in good physical condition and, as it turns out, quite often a mind reader.
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Richard Hymns is busy working on the film with assistant supervising sound editor Andre Fenley and sound designer Frank Eulner at Skywalker Sound in Marin County, California […]
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