Columns
Fallout: How a Movie Lover Went From Counter-Terrorism to Storytelling
The author nearly took a job with the national security agency – until his love of storytelling took over
Story Analyst
Union Made
How to Become a Union Story Analyst
Whatever you read about — news, politics, history, race, psychology, robots, the Poem-a-Day in your inbox—informs your vision. Empathy is a vital skill. Dabbling is beneficial.
What Our Members Do
What Our Members Do: Zach Chassler, Story Analyst
“Do they need encouragement? This is a good gig, folks.”
What Our Members Do
What Our Members Do: Brian Comer, Story Analyst
“The current covid-19 pandemic has turned the world upside down quite fast, but I believe things will turn right-side up even faster.”
Features
How Kate Corbaley, Powerful Reader at MGM in the 1930s, Paved the Way for Today’s Hollywood Literary Scouts
“It all depended on how Kate Corbaley narrated the story.”
Features
How Story Analysts from Hollywood’s Golden Age Helped Build Movies, and a Lasting Labor Movement
Story analysts organized and fought battles from which today’s union story analysts, as well as members of all Hollywood IA locals, still reap benefits.
Committee News
LGBTQ Guild Members See Progress, and Room for Improvement, in Industry Anti-Discrimination Efforts
“My mother had a tough time at first. She said, ‘You’ve had 22 years to figure this out, and you’ve given me five minutes. So give me some time.’”
Columns
Bernardo Bertolucci’s ‘Last Tango In Paris’
I fell in love with Last Tango in Paris in the summer of 1973 when I was 20 years old. But now, decades later, I’m sorry to say I’ve fallen out of love with the film much as one eventually discovers that Old Spice aftershave (and the guy who wore it) wasn’t that cool after all.
Web Exclusives
What Our Members Do: Amanda Nelligan
“I read scripts submitted for consideration, providing a synopsis and my analysis of whether they are a good bet for the studio — the pros and cons of premise, character, storyline, dialogue, etc.”
Columns
Christine Culler on ‘Minority Report’
While working at 20th Century Fox in the early 1990s, story analyst Christine Culler was assigned a steady diet of romantic comedies and children’s books. Then, in 1995, a different sort of project came across her desk: ‘Minority Report,’ a futuristic suspense film, heavy on action and low on meet-cutes.
