Seven Samurai: Oscar’s Choice Cuts
“Let me just start out by saying that I have everything before Avatar, and then Avatar––because there was nothing normal about how we did this film”- Stephen Rivkin […]
“Let me just start out by saying that I have everything before Avatar, and then Avatar––because there was nothing normal about how we did this film”- Stephen Rivkin […]
How we work, and the creativity that results from these endeavors, are highly dependent upon the palette of available picture editorial, sound editorial and re-recording mixing tools. […]
CineMontage caught up with the two sound mixers as they were finishing work on ‘World War Z’ at Twickenham Studios in London. […]
In 1970, as an apprentice in the cutting room of Richard Marden, editor of Sunday Bloody Sunday, we were a happy bunch; Dick, two assistants and myself. Now, as a motion picture editor, I’m mostly by myself, only sharing occasional intense sessions with the director and/or producer. […]
The ever-accelerating pace of technological development is literally putting the tools of post- production into the palms of our hands. The dramatic spread of Apple’s iPad has stirred software designers to create new applications combining Internet cloud technology and post-production work procedures. […]
Pete Beaudreau spoke to CineMontage about ‘Margin Call’ and his career path. […]
The alien Klaatu and his super-robot companion Gort have just made a return visit, touching down upon our planet again on December 12––when the remake of The Day the Earth Stood Still was released worldwide by 20th Century Fox. […]
A handful of television editors at different stages in their careers recently sat down with CineMontage to discuss the past, present and future of editing for TV. […]
Working remotely has become commonplace in big, visual effects-laden feature films. It certainly appealed to Kirk Demorest. So much so that he decided to figure out a way to do it. […]
Jacobson worked as a freelance director/cameraman shooting for ten years, until he discovered the Avid in 1994. That’s when he began editing. When Jacobson moved to New York, and reconnected with producer Mark Haefeli, his career in big-event, multi-camera editing really took form. […]
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