Features
Pro Sound Systems: The Team Spirit of ADR, Effects and Foley Editors
The challenge with NCIS from a sound editorial perspective, according to Schorer, is the relentless amount of detail.
Television
Features
This is London: “The Pacific” producer Discusses Workflow
When London was readying The Pacific’s post-production workflow in 2007, he participated in two key decisions—to shoot the miniseries on film rather than acquiring it on emerging file-based systems, and to edit simultaneously with production in Australia, bringing along three editors.
Features
Pacific Overtures: A Few Good Editors Enlist for HBO Miniseries
“Sometimes, hearing another editor comment on your work in an open forum and having him tell you he sees a problem and how he thinks it should be fixed, can be a little uncomfortable, but it was all for the greater good. The bottom line is that the entire miniseries improved greatly after that.”
Web Exclusives
What Do ‘Electric Dreams’ Sound Like?
“Our original idea for ‘Philip K. Dick’s Electric Dreams’ originated five years ago, when we discussed the idea of an anthology series of the author’s short stories with diverse points of view”
Guild
ACE Announces Eddie Awards Nominees
The American Cinema Editors (ACE) have announced nominations for the 68th Annual ACE Eddie Awards, recognizing outstanding editing in ten categories of film, television and documentaries.
Guild
What Our Members Do: Rita Sanders
“I try to make creative choices that will align as closely as possible with the writer’s and director’s intentions, trusting my instincts and personal tastes as my guiding principles.”
Columns
Mark Wilkins on ‘The Exorcist’ Series
Colorist Mark Wilkins has a message for audiences: Think twice before believing everything you see on TV.
Industry
Breaking Traditional Sound Barriers
As on previous occasions, Mix magazine’s fourth annual Sound for Film & TV conference was held at Sony Pictures Studios in Culver City in cooperation with the Cinema Audio Society (CAS) and Motion Picture Sound Editors (MPSE).
Columns
Charles Ciup on ‘Hairspray Live!’
As the technical director of “Hairspray Live!,” Charles Ciup was at the helm of a switcher to alternate between the angles of the show’s 19 cameras, and in charge of cutting to a close-up or a wide shot at just the right moment.
Guild
What Our Members Do: Dao T. Le
I have always been drawn to editing. Initially, it was literary editing, but then it turned into picture editing.
