2000 -

Dede on Digital: An interview with Dede Allen by Mia Goldman Part 2

July 1, 2000

Dede Allen discusses some of the new pressures that have affected editors, the increasing use of editors as film doctors and the changing hierarchy of the cutting room for assistants.

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A Conversation with Don Brochu, Bruce Stambler and Chris Ledesma

July 1, 2000

Picture Editor Don Brochu, sound effects supervisor Bruce Stambler and music editor Chris Ledesma joined forces for this fireside chat that focused on collaboration and the importance of sound.

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A Conversation with Dede Allen

July 1, 2000

A fireside chat with Dede Allen.

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Robert “Buzz” Knudson: An interview by Leslie Shatz Part 2

May 1, 2000

Robert Knudson talks about schedules, ‘eye-ear coordination’ and drugs and alcohol in the ’60s.

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A Conversation with Dan Hanley and Mike Hill

May 1, 2000

Dan Hanley and Mike Hill demonstrated a remarkable partnership and lack of personal ego, describing their process with humor and modesty.

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Dede on Digital: An interview with Dede Allen by Mia Goldman Part 1

May 1, 2000

Dede Allen took to digital editing with the same curiosity and determination that motivated her throughout her career.

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Andrew Mondshein, Editing with a ‘Sixth Sense’

March 1, 2000

Andrew Mondshein sits down with CineMontage to talk about his editing history and the impact that digital, non-linear editing will have on the craft.

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Robert “Buzz” Knudson: An interview by Leslie Shatz Part 1

March 1, 2000

Cinemontage talked to Robert Knudson in his office on Seward Street for this two-part interview.

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R.K.O. 281: Alex Mackie Encounters the Legend of Citizen Kane

January 1, 2000

Alex Mackie came to the U.S. from England and joined Local 700 to edit Danny Cannon’s Judge Dredd, she probably had no idea what career trails she was blazing.

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Controlled Chaos: Bill Abbott’s Music Editing on ‘Any Given Sunday’

January 1, 2000

“I worked with the sound people creating the backgrounds for the radio station, commercials, and newscasts-it opened my eyes to post-production. That’s when I realized I’d like to be a music editor.” – Bill Abbott

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