Agents of Change: How WME Has Helped Clients Adjust to World in Flux
WME HELPS POST-PRODUCTION CLIENTS ADAPT TO A WORLD WRACKED BY PANDEMIC AND ECONOMIC SHIFTS. […]
Features
Parenting, Post-Production and the Pandemic
The Pandemic has Forced Parents in Post Careers to be More Resourceful than Ever […]
MPEG Survey Offers Inside Look at Industry Discrimination, Diversity, Pay and More
The survey found that despite the publicity surrounding industrywide diversity efforts, gender and ethnic representation within the Guild itself has remained basically unchanged compared to four years ago. […]
James D. Wilcox and His Editing Journey on ‘Hillbilly Elegy’
by A.J. Catoline “I have to pinch myself at times,” said picture editor James D. Wilcox, ACE. Wilcox has good […]
Richard Pearson Talks (the Long-Delayed) ‘Wonder Woman 1984’
Picture editor Richard Pearson, A CE, did not set out to become a comedy specialist, an action guru, or a comic book connoisseur—but somehow, he has evolved into all three. […]
Ken Eluto On Editing the Crazy Family Dynamics On HBO’s ‘Succession’
“The main secrets are in the writing and the extremely talented cast.” […]
Mirror Rap: Talking with the Post Team on HBO’s ‘Insecure’
Here are some excerpts from our conversation with editors Nena Erb, ACE, and Daysha Broadway, assistant editors Lynarion Hubbard and Aric Lewis, and sound effects editor Michael Sana, MPSE. […]
‘Little America’ Uncovered
It’s one of the best-reviewed series of the year since its January premiere, with a 94% “fresh” rating on the review aggregation site Rotten Tomatoes. […]
Bringing the Funny for ‘Mrs. Maisel’
The heroine of Amazon’s stylish comedy “The Marvelous Mrs. Maisel” has a talented support team in post-production. […]
How They Make ‘Stranger Things’
You don’t have to be a rabid consumer of 1980s-era popular culture to work on the Netflix science-fiction series “Stranger Things.” But it doesn’t hurt. […]