“I think the best thing is having a vision, because it is animation. We don’t have any guide or source track. We build everything from nothing, literally a blank piece of paper.” […]
Bento Box Entertainment produces animated series such as “HouseBroken,” “Farzar,” “Paradise PD,” and the forthcoming “Krapopolis.” (Editorial crews on some other Bento Box titles, such as “Bob’s Burgers,” already enjoyed union representation through Bento Box’s partnership with other signatory studios.) […]
“Fate kind of pushed me into it.” […]
“Growing up, I always dreamt of seeing a Latina heroine on TV or in the movies.” […]
Longtime classic Disney character Donald Duck’s mischievous nephews Huey, Dewey and Louie made their very first appearance 82 years ago in a February 1937 Donald Duck Sunday newspaper comic strip (only three years after Donald himself was created). By October of that year, the triplets had their own strip, Donald’s Nephews, and six months later, in April 1938, the three ducklets made their animated debut in a cartoon short of the same name. […]
‘Bohemian Rhapsody’ (edited by John Ottman, ACE) and ‘The Favourite’ (edited by Yorgos Mavropsaridis, ACE) won Best Edited Feature Film (Dramatic) and Best Edited Feature Film (Comedy) respectively at the 69th Annual ACE Eddie Awards on February 1. […]
The American Cinema Editors (ACE), the honorary society of the world’s top film editors, has announced nominations for the 69th Annual ACE Eddie Awards, recognizing outstanding editing in 11 categories of film, television and documentaries. […]
‘Welcome to Marwen’ is a Universal Pictures and DreamWorks Pictures feature starring Steve Carell that takes place in the real world, as well as a world populated by dolls. It was released by Universal on December 21. […]
As a youth in Dublin, Ireland, Clare Knight (née De Chenu), ACE, had a decidedly artistic bent. The daughter of a stage actor-turned-architect and a schoolteacher, she dreamt of becoming an artist. […]
There are a lot of reasons why creative media professionals require a display on their desks that is capable of representing highly accurate colors. To start, animators must be confident that color choices will result in final renders that look how they expect them to look. […]
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