On March 23, 2019, the Motion Picture Editors Guild’s Women’s Steering Committee organized an evening celebration in the Guild’s Dede Allen Seminar Room honoring Women’s History Month. […]
The documentary Making Waves: The Art of Cinematic Sound, which CineMontage wrote about in October 2017, will receive its world premiere at the Tribeca Film Festival in New York City in late April. […]
The Motion Picture Sound Editors (MPSE) has announced the nominees for the 66th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past […]
Although they are still in the frenzy of the final mix in early October, co-music editors Paul Rabjohns and J.J. George somehow find time to usher a visitor onto a Warner Bros. mixing stage to discuss their one-year-plus adventure editing the music track for a new superhero epic, James Wan’s ‘Aquaman.’ […]
Released in 1964, director Robert Stevenson’s original ‘Mary Poppins,’ starring Julie Andrews, Dick Van Dyke, David Tomlinson and Glynis Johns, set a benchmark in the Walt Disney Studios canon of full-energy musicals. […]
Orson Welles was looking forward to editing ‘The Other Side of the Wind.’ In 1970, before he had even begun shooting what became his now-fabled unfinished (until this year) film, Welles discussed his post-production plans in a conversation with his friend, actor-director-writer Peter Bogdanovich. […]
For me, the most exciting part of the job is taking music written by the composer and finding sneaky ways to reintegrate it into different parts of the show. This not only establishes thematic continuity, but also helps speed the process along. […]
Nominations for the 70th Emmy Awards were announced on Thursday morning, July 12 by the Television Academy. The Editors Guild congratulates all of its members who received nominations. […]
Given the veritable obstacle course of a workflow that the 22-strong picture editorial crew on American Ninja Warrior endures to get the hit sports/reality show to air each week, perhaps the next concept in competition-oriented reality TV programming should be about just that. […]
Music editor Mitsuko Alexandra Yabe exemplifies the possibilities offered by the world of post-production if one is willing to throw oneself in and find one’s way. Yabe was born in New York but grew up in Tokyo, where she trained in violin and taught herself guitar. […]
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