What Our Members Do: Jackie Johnson, Dialogue Editor
Where are you currently employed? Independent, technically, but almost all my work is for Monkeyland Audio. Current projects? Just finished […]
Sound
All Things Being EQ: What’s the Best Equalization Tool Out There? Sound Pros Weigh In
Sound pros weigh in on the best equalization tools for the job […]
What Our Members Do: Michael J. McDonald, Supervising Sound Editor and Re-Recording Mixer
“Be prepared and dedicate yourself to learn something new every day.” […]
Tom Fleischman, CAS Honoree, Talks Tricks, Techniques, and Films, from ‘Boys in the Band’ to ‘Irishman’
“I’ve always wished someone would invent a device that I could put on my head and think about how the film should sound.” […]
Oscars 2020: Here are All the MPEG Members Nominated for Academy Awards
The Oscar ceremony will be held February 9 at the Dolby Theater in Hollywood and will be telecast live on ABC. […]
How the Sound Team Made Those Engines Roar in Matt Damon and Christian Bale’s Race Car Movie ‘Ford v Ferrari’
“The cars became characters in their own right – big and bold and real.” […]
Pregnant in Post? The Quandary Over Benefits Can Lead to Some Unexpected, and Costly, Hurdles
“Having children makes you gutsy,. You don’t put up with a lot of BS because you have a family to consider.” […]
Tom Fleischman and Sound Editors Eugene Gearty and Philip Stockton Reveal the Silent Secrets of ‘The Irishman’
“Marty is totally focused on telling the story.” […]
Cinema Audio Society Nominates Dozens of Guild Members for Sound Mixing Awards for ‘Irishman,’ ‘Ford v Ferrari,’ more
“Joker,” “The Irishman,” “Rocketman” and more get nominations for CAS prize […]
Randy Thom on ‘Making Waves,’ the Documentary That Gives Voice to 90 Years of Sound in Movies
“Sound is generally undervalued as a creative asset, and sound people are undervalued as creative contributors.” […]