What Our Members Do: Carlos Sanches, Re-Recording Mixer
“Stand up for the importance of sound in film and TV. Be passionate about it and maybe some of that will rub off on those you associate with.” […]
Sound
Ren Klyce and Jeremy Molod of ‘Mank’ Break Their Silence on the Sound Secrets of 1940s
Director David Fincher commanded his own army of Foley artists, dialog editors and sound specialists for his iconoclastic biographical portrait of the screenwriter Herman J. Mankiewicz (Gary Oldman). […]
THR: How Sound Pros Created ‘Physical and Psychological’ Soundscapes
Creating the sound of the future involved power tools and a church for these Emmy-nominated Sound Editors and Mixers from shows including ‘Picard,’ ‘Watchmen,’ ‘Devs’ and ‘Westworld.’ Supervising Sound Editor Matthew Taylor […]
What Our Members Do: Larry Mah, Music Editor
“I started as a musician when I was seven years old.” […]
What Our Members Do: Jackie Johnson, Dialogue Editor
Where are you currently employed? Independent, technically, but almost all my work is for Monkeyland Audio. Current projects? Just finished […]
All Things Being EQ: What’s the Best Equalization Tool Out There? Sound Pros Weigh In
Sound pros weigh in on the best equalization tools for the job […]
What Our Members Do: Michael J. McDonald, Supervising Sound Editor and Re-Recording Mixer
“Be prepared and dedicate yourself to learn something new every day.” […]
Tom Fleischman, CAS Honoree, Talks Tricks, Techniques, and Films, from ‘Boys in the Band’ to ‘Irishman’
“I’ve always wished someone would invent a device that I could put on my head and think about how the film should sound.” […]
Oscars 2020: Here are All the MPEG Members Nominated for Academy Awards
The Oscar ceremony will be held February 9 at the Dolby Theater in Hollywood and will be telecast live on ABC. […]
How the Sound Team Made Those Engines Roar in Matt Damon and Christian Bale’s Race Car Movie ‘Ford v Ferrari’
“The cars became characters in their own right – big and bold and real.” […]