OSCARS 2024: Nominees for Best Sound Speak Out on ‘Oppenheimer,’ ‘Zone of Interest,’ and More
By Mel Lambert The nominees in the Best Sound category at this year’s Academy Awards represent an array of […]
By Mel Lambert The nominees in the Best Sound category at this year’s Academy Awards represent an array of […]
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
“So much of the tone of the show is set in the edit bay, and we are super-fortunate to have a group of editors that work in collaboration.” […]
“The whole goal was: ‘How do we keep Lenny’s heartbeat and human nature alive through the whole thing?’” […]
By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]
“We do one thing, we do sound.” […]
“I have always been fascinated with sound in films.” […]
By Jennifer Walden Have you heard? Audiences are complaining about unintelligible dialogue in non-theatrical content on their TVs, about […]
“Olivia loved low-frequency sounds.” […]
There certainly have been growing pains in the transition to remote editing, but it’s becoming easier to embrace this workflow as the process evolves. […]
©2016-2021 Motion Picture Editors Guild