Tom Fleischman and Sound Editors Eugene Gearty and Philip Stockton Reveal the Silent Secrets of ‘The Irishman’
Featured Stories
“Marty is totally focused on telling the story.” […]
How Editor Anne McCabe Helped Create ‘A Beautiful Day in the Neighborhood’ with Tom Hanks
Featured Stories
“The cutting room is a place where you can take time to look at, and think about, what is the crux of the movie and what is really going on here?” […]
Featured Stories
Cinema Audio Society Nominates Dozens of Guild Members for Sound Mixing Awards for ‘Irishman,’ ‘Ford v Ferrari,’ more
Committee News
Empathy for Showrunners? Yes, and Much More at MPEG’s Workshop for Newly Promoted Assistant Editors
Featured Stories
Jennifer Lame Talks About Editing the Breakup of Adam Driver and Scarlett Johansson in ‘Marriage Story’
Carole Kravetz Aykanian Talks About Editing Steve Carell and Jennifer Aniston in ‘The Morning Show’
“The pilot was the foundation. We had to find the tone.” […]
Thelma Schoonmaker Talks of Editing, Aging, and Endings in Martin Scorsese’s ‘The Irishman’
“You never know what is going to happen when you put two pieces of film together.” […]
