Journal of the Motion Pictures Editors Guild - CineMontage

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Featured Stories

How to Become a Union Story Analyst
Featured Stories

Getting Organized: The Lessons of the Lost Union Drive at Amazon
Featured Stories

Tail Pop: The Enduring Influence of Godard and ‘Band of Outsiders’
Book Reviews

Book Review: ‘Shooting Midnight Cowboy’ Examines a Classic of Late-1960s Cinema
Featured Stories

WSC Panel: How the HBO Mystery ‘Mare of Easttown’ Was Posted Remotely
Featured Stories

What Our Members Do: Chad Littlepage, CSI, Finishing Colorist
Cover Story

Barbecue Sauce: A.J. Catoline and Melissa McCoy Spill Their Editing Secrets on ‘Ted Lasso’
Featured Stories

Michelle Tesoro and Wylie Stateman Talk Picture and Sound on ‘The Queen’s Gambit’
Featured Stories

Cathy Repola: Remembering Diane Adler, MPEG Secretary and a True Unionist
Featured Stories

In Memoriam: Milton Ginsberg, Documentary Editor and ‘Coming Apart’ Filmmaker, Dies at 85
Committee News

PPASC: Tom Cross and Ai-Ling Lee Give Master Class on Editing, Career and Life
Featured Stories

Allyson Johnson on Editing the New Drama Series ‘The Mosquito Coast’
Departments

PPASC: How Richard Chew and Other Film Pioneers Raised Asian American Visibility
Featured Stories

Sounds Like Family: How Skywalker Sound Has Helped Boost Women’s Careers

WEB EXCLUSIVES

How to Become a Union Story Analyst

Featured Stories

Whatever you read about — news, politics, history, race, psychology, robots, the Poem-a-Day in your [...]

WSC Panel: How the HBO Mystery ‘Mare of Easttown’ Was Posted Remotely

Featured Stories

Amy Duddleston and her crew went to work recutting what had been shot of all [...]

Featured Stories

What Our Members Do: Chad Littlepage, CSI, Finishing Colorist

Cover Story

Barbecue Sauce: A.J. Catoline and Melissa McCoy Spill Their Editing Secrets on ‘Ted Lasso’

Featured Stories

In Memoriam: Milton Ginsberg, Documentary Editor and ‘Coming Apart’ Filmmaker, Dies at 85

FEATURES

Getting Organized: The Lessons of the Lost Union Drive at Amazon

What a Lost Union Drive Means for the Future of Labor Organizing […]

Technology: How the Latest AI Helps Colorists Do Their Jobs Better

AI technology (probably) isn’t the humanity-destroying rise of the machines that some fear—at least not in the world of post-production. [...]

Tail Pop: The Enduring Influence of Godard and ‘Band of Outsiders’

Book Review: ‘Shooting Midnight Cowboy’ Examines a Classic of Late-1960s Cinema

Michelle Tesoro and Wylie Stateman Talk Picture and Sound on ‘The Queen’s Gambit’

LABOR NEWS

IA Techs Return to Work at New York’s Metropolitan Opera

July 16, 2021
IATSE to Hold Virtual Convention July 27-29; Leadership Election ‘If Necessary’

July 14, 2021

GETTING ORGANIZED

Getting Organized: The Lessons of the Lost Union Drive at Amazon

July 8, 2021
Getting Organized: Yes, Shows Can Be Organized Even During a Global Pandemic

May 13, 2021

FILM HISTORY

Tail Pop: The Enduring Influence of Godard and ‘Band of Outsiders’

July 8, 2021
How Emilio Fernández’s Classic ‘Enamorada’ Boosted Mexican Cinema

December 13, 2019

TECHNOLOGY

Technology: How the Latest AI Helps Colorists Do Their Jobs Better

July 8, 2021
When In-Person Recording Isn’t Possible, It’s Time to Turn to Remote ADR

March 24, 2021

BOOK REVIEWS

Book Review: ‘Shooting Midnight Cowboy’ Examines a Classic of Late-1960s Cinema

July 6, 2021
Was 1962 the Best Year Ever for Movies? A New Book Makes the Case

October 5, 2020

TAIL POP

Tail Pop: The Enduring Influence of Godard and ‘Band of Outsiders’

July 8, 2021
Tail Pop: How the Film Cult Classic ‘Harold And Maude’ Inspired a Generation

March 28, 2021

Latest News

IA Techs Return to Work at New York’s Metropolitan Opera

July 16, 2021
IATSE to Hold Virtual Convention July 27-29; Leadership Election ‘If Necessary’

July 14, 2021
Television Academy Nominations: Guild Members Nominated in 19 Categories

July 13, 2021
California on Track to Increase Film and TV Tax Credits by $330 Million

July 13, 2021
Global Streaming Video Revenue to Hit $94B in 2025, PwC Forecasts

July 12, 2021

DIGITAL PDF | Q2 2021

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mpeg700

MPEG wants to congratulate all of our amazing @tel

MPEG wants to congratulate all of our amazing @televisionacad nominees! Final round voting begins Aug. 19. #emmyawards #emmynominations #postproduction

“We all know this industry is tough, but never g

“We all know this industry is tough, but never give up.” Those are the inspiring words from Chad Littlepage, CSI, Finishing Colorist, the subject of this month’s What Our Members Do at CineMontage.org. Check it out! And if YOU would like to be profiled, send a quick pitch to scollins@editorsguild.com. #whatourmembersdo #editorsguild #colorist

If you know film sound, you know Randy Thom, CAS,

If you know film sound, you know Randy Thom, CAS, MPSE. He’s the multiple award-winning sound designer at Skywalker Sound and a bona fide industry guru. Come hear him talk in a frank and revealing Zoom session at 11:30AM Pacific time JULY 17, moderated by @pengador and @gilliamhalima TO REGISTER AND GET A LINK GO TO EDITORSGUILD.COM. Don’t miss this one! #soundediting #postproduction

Everyone at Local 700 wishes you a happy and safe

Everyone at Local 700 wishes you a happy and safe holiday weekend! #postproduction #editingroom #soundediting #foleyartist #july4thweekend

Come close out #pridemonth ! The LGBTQ Steering Co

Come close out #pridemonth ! The LGBTQ Steering Committee presents Pride 2021. Join this out and proud event on Zoom that will include a dance party, games and fun for all. Colorful attire and decor is welcome and encouraged. Come celebrate and feel accepted in whatever way you need. Saturday June 26th, 3PM-6PM(PST)/6PM-9PM(EST). REGISTER AT EDITORSGUILD.COM! #postproduction #pride #pride🌈 #pride2021

Celebrate the new federal holiday with a Pre-Junet

Celebrate the new federal holiday with a Pre-Juneteenth celebration sponsored by MPEG’s African American Steering Committee! Joi McMillon ACE will be on hand to talk about her work on @theugrailroadtv It all happens on Zoom Friday 6/18 @ 7:19 Pacific time (see what we did there?) … Head to editorsguild.com for details! #juneteenth #postproduction

Look who’s on the cover of the Q2 Cinemontage! I

Look who’s on the cover of the Q2 Cinemontage! It’s picture editors @ajcatoline and @mellymccoy of @tedlassoofficial ! Look for it soon in your mailboxes or head on over to cinemontage.org. #postproduction #tedlasso

Happy #pridemonth from everyone at @mpeg700 ! 🌈

Happy #pridemonth from everyone at @mpeg700 ! 🌈

Celebrate Asian Pacific Heritage Month with these

Celebrate Asian Pacific Heritage Month with these blockbuster feature film Editors! Join William Hoy, ACE, Lisa Lassek, Richard Chew, ACE and Edie Ichioka, ACE for a wonderful Zoom panel diving into their experiences in the editing room. Saturday May 15th, 2021 12:30 PM (PT)/3:30 PM (ET). FOR DETAILS AND REGISTRATION GO TO EDITORSGUILD.COM.

The entire @mpeg700 family mourns the passing of D

The entire @mpeg700 family mourns the passing of Diane Adler, ACE, a true editing pioneer and longtime former Secretary of the MPEG Board. Last year she was honored for her many years of service (pictured center, flanked by MPEG President Alan Heim and National Executive Director @cathyia700 ). The next issue of CineMontage will feature a complete tribute. RIP to a true legend. #postproduction

This year’s Invisible Art/Visible Artists (IAVA)

This year’s Invisible Art/Visible Artists (IAVA) from @acefilmeditors was held virtually, but still served as a reminder of why this annual celebration of picture editing is an #Oscar season tradition. Saturday morning’s event brought together @mpeg700 President Alan Heim and included Oscar-nominated Guild members Alan Baumgarten, ACE (“Trial of the Chicago 7”) and Frederic Thoraval (“Promising Young Woman”). Congrats to all! Photos by @tiltphoto_pz #postproduction

Congrats to all the @mpeg700 winners at the @acefi

Congrats to all the @mpeg700 winners at the @acefilmeditors #aceeddieawards over the weekend!!! #postproduction

#Oscar final voting started today! Head over to Ci

#Oscar final voting started today! Head over to CineMontage.org to see what @mpeg picture and sound nominees have to say about their projects! #postproduction #awardsseason

The new Q1 2021 issue of CineMontage is on the way

The new Q1 2021 issue of CineMontage is on the way, with a cover story from @stevie_waichulis ! Look for it in your mailbox soon. 📬 #postproduction

Happy Cesar Chavez Day from @mpeg700 ! #labormovem

Happy Cesar Chavez Day from @mpeg700 ! #labormovement #cesarchavez #postproduction

Every year, @mpeg700 makes a donation to @mptf in

Every year, @mpeg700 makes a donation to @mptf in memory of members who passed the previous year. For the 44 members who passed in 2020, the total sum came to $13,200, and it’s a great example of how the guild honors the memory of members while serving the larger community. MPTF wrote about the gift in its newsletter (excerpt in the slide). #postproduction

Have questions about the upcoming Basic Agreement

Have questions about the upcoming Basic Agreement negotiations? Seek more info about return to work protocols? Eager to reconnect with colleagues? You won’t want to miss the virtual General Membership Meeting this Saturday at 10am Pacific time, with a complete update from National Executive Director @cathyia700 Head over to EditorsGuild.com to register! #postproduction

Congratulations to longtime @mpeg700 Board Member

Congratulations to longtime @mpeg700 Board Member Sidney Wolinsky ACE, who will receive a Career Achievement Award at the American Cinema Editors’ Eddie Awards award on April 17! Sidney was nominated for an Oscar for his work on “The Shape of Water” and won an Emmy for “Boardwalk Empire.” His co-honoree will be “One Flew Over the Cuckoo’s Nest” editor Lynzee Klingman ACE. This year’s ceremony will be held virtually due to the pandemic. Congrats to Sidney and Lynzee! #postproduction

Happy @internationalwomensdayofficial from Local 7

Happy @internationalwomensdayofficial from Local 700! #internationalwomensday #empoweringwomen #postproud

On Sunday, the Women’s Steering Committee and Pa

On Sunday, the Women’s Steering Committee and Pan Pacific Asian Steering Committee was proud to present a Q and A with picture editor Hilda Rasula ACE and Azazel Jacobs, director of the feature “French Exit.” Rasula and Jacobs spoke of their work on this acclaimed drama, which already earned a Golden Globe nomination for Michelle Pfeiffer’s lead performance as a troubled American heiress who moves to Paris. The discussion was moderated by Joan Sobel ACE. Congrats to all! #postproduction

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UPCOMING EVENTS

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Book Reviews

When the Film Industry Joined the Gig Economy
Book Reviews

Planet Waves – Walter Murch and the Sounds of the Solar System
Book Reviews

Assessing the Media Landscape for Common Ground
Columns

Sick of It All
Columns

From VHS to VFX, a Career Is Born
Columns

When Reality Loses Its Voice
Columns

End Credits Start a Television Career
Book Reviews

The Talented Mr. Ridley:
First Bio on Filmmaker Scott
Columns

Beth Stiller on Los Angeles Lakers Road Telecasts
Departments

Pandemic? Here Are Some Tools for Post-Production
Columns

‘The Piano’ Ain’t Got No Wrong Notes
Departments

Danford B. Greene
Departments

Claude A. “C.A.” Shumaker, Jr.
Departments

IN MEMORIAM
Columns

The Making of ‘Groundhog Day,’ as Remembered by Music Editor Sally Boldt
Departments

Totally Involved in the Cutting Room
Columns

Gregg Barbanell on ‘Breaking Bad’
Columns

Maya Deren’s ‘Meshes of the Afternoon’
Departments

The Compositor’s Apprentice
Blackmagic’s Fusion 9
Departments

Master Classes Highlight Membership Outreach Committee’s 2017 Activities

CONTACT CINEMONTAGE

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Hollywood, CA 90046
(323) 876-4770
CineMontage@EditorsGuild.com

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