William Yeh Talks of Editing Journey That Led to Bob Odenkirk Action Film ‘Nobody’
“I did an edit without his input and sent it to him at his home in Russia. Though he didn’t say so at the time, he hated it.” […]
film editing
Terilyn Shropshire Talks About Editing and How to Find the Right Moment in Coverage
“With digital everything comes to you. That means you have a lot more to look at, a lot more to assess.” […]
Goya Awards: Pilar Palomero’s ‘The Girls’ Named Best Picture
Pilar Palomero’s coming-of-age story The Girls took home the top prizes, including best picture, at the 35th annual Goya Awards on Saturday. Spain’s annual awards show, hosted by Antonio Banderas, also saw Palomero’s drama win […]
Robert Frazen Talks Editing Charlie Kaufman’s ‘I’m Thinking of Ending Things’
“Working with Charlie, there are many layers. He is so great at understanding the process.” […]
James D. Wilcox and His Editing Journey on ‘Hillbilly Elegy’
by A.J. Catoline “I have to pinch myself at times,” said picture editor James D. Wilcox, ACE. Wilcox has good […]
Appreciation: Bob Jones, Editing and Writing Wizard, Left a Lasting Mark on ’70s Cinema
“Bobby is the kind of guy who could do just about anything,” one colleague says. […]
Robert C. Jones, ‘Love Story’ Film Editor and Oscar-Winning Writer, Dies at 84
Robert Jones, the esteemed film editor who shaped such classics as Guess Who’s Coming to Dinner, Love Story, The Last Detail and Bound for Glory and shared a screenplay Oscar for Coming Home, has died. Jones died Monday at his home […]
How the Editing Team Made the Most of Fran Lebowitz for Martin Scorsese’s ‘Pretend It’s a City’
“Fran likes to talk. You just ask her a question and she can go on for 15 minutes. And part of the answer will not appear related to the question in any way.” […]
Harry Yoon Talks About Editing the Immigrant Experience in ‘Minari’
“So many of the scenes, especially seeing them come to life in the dailies, were these explosions of memory.” […]
Andrew Mondshein on Editing Chadwick Boseman’s Farewell in ‘Ma Rainey’s Black Bottom’
Mondshein was a longtime collaborator of legendary filmmaker Sidney Lumet, who, as the New York-based, Academy Award-nominated editor tells it, was persuaded that few things in cinema were as fascinating as a well-timed close-up. […]