Monica Salazar and Dominic LaPerriere Unpack the ‘Unusual’ Editing Process Behind Shia LaBeouf’s ‘Honey Boy’
“We were bouncing ideas off each other, and picking up the cuts of each other.” […]
film editing
What Our Members Do: Sharon Smith Holley, Visual Effects (VFX) Editor
“Don’t wait till you retire to do your passion projects.” […]
How Can Women Advance in Post Careers? Four Top Pros Shared Their Tips and Personal Stories at Power Summit
The panel, moderated by Guild National Executive Director Cathy Repola, offered a front-line perspective on issues faced by women in post-production, with tips, personal stories and practical wisdom from four pros in the industry. […]
Tom Eagles on Editing Taika Waititi’s ‘Bonkers’ Hitler Movie ‘Jojo Rabbit:’ The ‘Tone Was a Tightrope Walk From the Start’
“We had to make people feel comfortable enough to laugh, without beveling off any of the hard edges or flinching from the subject matter.” […]
Princeton’s Su Friedrich and Her Website Salute the Vital, Often Unsung Work of Women Editors Throughout History
“It was extremely difficult to find more than the skimpiest info about editors, so I just kept digging and digging.” […]
Martin Cohen, Veteran Post-Production Executive, Honored with Fellowship and Service Award at Universal City Event
The Motion Picture Editors Guild honored veteran post-production executive and producer Martin Cohen with its Fellowship and Service Award at the Sheraton Universal Hotel on Saturday night, October 5. […]
Jeff Groth on Editing Joaquin Phoenix in ‘Joker’: ‘He Was Free to Experiment, So He Did’
“We wanted to do something different, not just from Batman, but from all comic-based films.” […]
Kayla Emter On Editing Club Scenes, Chopin Music and J-Lo’s Sexy Pole Dance in Lorene Scafaria’s ‘Hustlers’
“There were a few dance moves that made my jaw drop.” […]
John Axelrad and Lee Haugen Take Editing Voyage into Deep Space with Brad Pitt in James Gray’s ‘Ad Astra’
“’Ad Astra’ is an existential journey. The further Roy McBride travels out into space, the deeper we go into his soul. It’s really a dive into the subconscious.” […]