Rodriguez, who has been working with Schrader since the mid-2010s, is a comparative newcomer. The Cleveland native made his feature film debut as the editor on what was Schrader’s 19th directorial feature, the explosively original noir comedy “Dog Eat Dog” (2016). […]
Hedström’s recent feature “Candyman,” directed by long-time collaborator Nia DaCosta, is a sequel to the 1992 slasher classic. […]
Patrick McMahon, ACE, cut many horror/suspense projects, including the original, “A Nightmare On Elm Street.” He’s also edited seven pilots (five of which went to series) and documentaries including HBO’s Emmy Award-winning “Baghdad ER.” […]
“This is a small town and we are sure to work together in the future. If I can do something now that will help you be better now, you’ll be that much better when we meet again.” […]
‘In The Heights’ Offers an Emotional Experience – And the Post Team Had to Find Ways to Capture It. […]
“She told me, ‘Everybody knows the name of Ted Bundy, but nobody knows the names of the victims.’ I thought that was interesting.” […]
“Over the course of four films with Terry Malick, I spent a lot of time in Austin. To say we were ‘bunkered down’ during the editing process is probably an understatement.” […]
A New Book Looks at the Tortured Creators – and Editing-Room Nightmare – Behind ‘Midnight Cowboy’ […]
Amy Duddleston and her crew went to work recutting what had been shot of all of the seven episodes, taking each one through a director’s and a producer’s cut remotely from home in Los Angeles, considering everything from script changes to pandemic concerns in terms of building larger scenes. “We were very lucky because it shaped the show,” she said. […]
Traditionally, a picture editor was the person snipping celluloid together, writes Anousha Sakoui in The Los Angeles Times. Like many roles in Hollywood, the route into the industry is not clear-cut. Here’s a primer on […]
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