2026
Cut to Black: Sushila Love – Editor
It’s celebration time! Three times a week in February, The MPEG African American Steering Committee is celebrating its African American […]
Departments
2026
Cut to Black: Terel Gibson – Editor
It’s celebration time! Three times a week in February, The MPEG African American Steering Committee is celebrating its African American […]
2026
Cut to Black: Aimee Jennings – Editor
It’s celebration time! Three times a week in February, The MPEG African American Steering Committee is celebrating its African American […]
2026
Cut to Black: Bobbi Banks – Supervising Sound Editor
It’s celebration time! Three times a week in February, The MPEG African American Steering Committee is celebrating its African American […]
2026
Cut to Black: Glenfield Payne – Supervising Sound Editor
It’s celebration time! Three times a week in February, The MPEG African American Steering Committee is celebrating its African American […]
2026
Cut to Black: Erin Nicole Wyatt – Editor
It’s celebration time! Three times a week in February, The MPEG African American Steering Committee is celebrating its African American […]
In Memoriam
In Memoriam: Robert Wilson Ewing II, January 12, 1948 – September 2, 2025
Inspired by the young actors at Purdue, Robert switched to theater arts where he was immediately cast as the Prince in “Once Upon a Mattress.” After his second year in the theatre department, Robert transferred to UCLA Film School where he was able to apply both his engineering and theatre background to filmmaking.
In Memoriam
In Memoriam: George Harris Anderson, February 8, 1948 – December 23, 2024
George was born on a cold day in Oxford, Mississippi, on February 8, 1948. His parents, George Harris Anderson and Jane Anderson, were deeply in love. When George was six months old, his father, a Navy pilot and war hero, died in a plane crash.
In Memoriam
In Memoriam: Daniel Wilson Sable, January 28, 1930 – December 21, 2025
Always curious about the newest audio technology (as well as any other gadget), Dan was an early adopter in digital sound for film starting in the ‘80s. He also mentored several talented sound editors, and many of them have entertaining stories about working with such a generous man.
Featured Stories
Surgical Precision: How the Post Team of ‘The Pitt’ Keeps the Hit Hospital Drama Humming
“It becomes this amoeba of three editors working in conjunction with each other to create one storytelling style, which ends up being ‘The Pitt.’ It’s not that we’re all following one rule, but rather we’re trying to create rules in the same world.”
