Featured Stories
Doc Crotzer and Paul Hsu Tell the Post Secrets Behind the ‘Road House’ Remake
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
Sound Editors
Web Exclusives
WHAT OUR MEMBERS DO: Emily Yang, Y-9 Recordist & Mix Tech
“I have always been drawn to storytelling through various mediums, whether it’s through sound or visual media. It was during my time at Berklee College of Music that I delved deeper into the intricate soundscape of film and animation.” […]
Cover Story
Sounds Funny: All the Sound-Team Secrets Behind ‘Only Murders In The Building’
Helping make the mystery—and the wit—come to life are supervising sound editors Mathew Waters and Danika Benton Wikke. […]
Features
Epic Sounds: How the ‘Shōgun’ Team Captured the Elegance of 17th Century Feudal Japan
“Everything about this series strived to be authentic.” […]
Features
WHAT OUR MEMBERS DO: Jessey Drake, MPSE, Sound Editor
“I would love to do some immersive-type sound design or sound editorial for a Disney attraction. That’s been a lifelong dream of mine.”
[…]
Features
Carol’s Colleagues: Some Words from Her Admirers
A compilation of praises and memorable stories for award winning editor Carol Littleton. […]
Features
WHAT OUR MEMBERS DO: Ian Chase, Sound Editor/Re-Recording Mixer
Where are you currently employed? I work as a freelance sound editor and re-recording mixer in Burbank, Calif., but for […]
Behind the Scenes
How the Post Team of ‘Ferrari’ Worked Together to Bring an Auto Epic to Life
“One of the things we had to adapt very early on is the communication in the form of notes from Michael.” […]
Features
IN MEMORIAM: Peter Berkos, Sound Effects Editor, 1922-2024
AUGUST 15, 1922 — JANUARY 2, 2024 A renaissance man. A gentleman. A portrait in dignity. This is how Academy […]
2024
Cut to Black: Did You Know? Willie D. Burton, Sound Mixer
This legend is an 8-time Oscar nominee for Best Sound, including this year’s “Oppenheimer,” who took home the statue twice. […]
