The panel, moderated by Guild National Executive Director Cathy Repola, offered a front-line perspective on issues faced by women in post-production, with tips, personal stories and practical wisdom from four pros in the industry. […]
“Sound is generally undervalued as a creative asset, and sound people are undervalued as creative contributors.” […]
“I do my most creative work when there are constraints.” […]
“The show’s music sets the tone.” […]
Held Saturday and Sunday nights in Downtown Los Angeles, the awards honor creative and technical achievement in numerous categories, including picture and sound editing, sound mixing, and technical direction. […]
“This event has grown in the most wonderful ways.” […]
“This isn’t the real world … That’s our challenge, right?” […]
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.” […]
“It feels like the old Veronica, but a very adult Veronica…a darker, grown up Veronica,” Bost says. […]
The Netflix four-part miniseries When They See Us, which dropped May 31, was originally called Central Park 5. That working title identifies the overarching plot trajectory: The notorious case of five teenagers of color who were wrongly convicted of raping a white female jogger in New York, and which resulted in the use of the term “wilding” to describe out-of-control gang activity. The revised title better reflects the fate of the young people unjustly ensnared in the criminal justice system by embracing their humanity and not their politicized role. […]
©2016-2019 Motion Picture Editors Guild