‘Westworld’s’ COVID plot twist
How a post-production team of 30 stayed healthy and got “Westworld” on the air from home. […]
Sound Editors
All Things Being EQ: What’s the Best Equalization Tool Out There? Sound Pros Weigh In
Sound pros weigh in on the best equalization tools for the job […]
What Our Members Do: Michael J. McDonald, Supervising Sound Editor and Re-Recording Mixer
“Be prepared and dedicate yourself to learn something new every day.” […]
Oscars 2020: Picture and Sound Editors and Mixers Speak Out on Their Nominations
“Many before have said filmmaking takes a village.” […]
Cut to Black: Glenfield Payne, Sound Editor and Re-Recording Mixer
“A Primetime Emmy Nominated Sound Editor knows for his work on ‘4 Little Girls’ doc, ‘Beasts of No Nation,’ and much more” […]
Oscars 2020: Here are All the MPEG Members Nominated for Academy Awards
The Oscar ceremony will be held February 9 at the Dolby Theater in Hollywood and will be telecast live on ABC. […]
How the Sound Team Made Those Engines Roar in Matt Damon and Christian Bale’s Race Car Movie ‘Ford v Ferrari’
“The cars became characters in their own right – big and bold and real.” […]
Tom Fleischman and Sound Editors Eugene Gearty and Philip Stockton Reveal the Silent Secrets of ‘The Irishman’
“Marty is totally focused on telling the story.” […]
Cinema Audio Society Nominates Dozens of Guild Members for Sound Mixing Awards for ‘Irishman,’ ‘Ford v Ferrari,’ more
“Joker,” “The Irishman,” “Rocketman” and more get nominations for CAS prize […]
How Can Women Advance in Post Careers? Four Top Pros Shared Their Tips and Personal Stories at Power Summit
The panel, moderated by Guild National Executive Director Cathy Repola, offered a front-line perspective on issues faced by women in post-production, with tips, personal stories and practical wisdom from four pros in the industry. […]