Features
TECHNOLOGY: How Sound Crews Work Hard to Get the Right Levels on Theatrical Mixes
‘Wait a minute. It doesn’t sound like it did on the mixing stage.’ […]
Sound Editors
Web Exclusives
‘John Wick 4’ Post Team Talks About the Pleasures (and Sometimes the Pain) of the Action Hit
By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director […]
Features
How New York’s Sound Lounge Built Its Cred on Shows Like FX’s ‘The Bear’
“We do one thing, we do sound.” […]
Web Exclusives
Arielle Zakowski and Austin Keeling Talk Editing the Very Online Thriller ‘Missing’
“We both came to this with a lot of fear and anxiety about how to accomplish all of this technical wizardry.” […]
Cover Story
Hollywood ‘Babylon’: How the Post-Production Team Brought the 1920s Back to Life
“It may be the hardest movie I’ve ever worked on.” […]
Features
75 Best Edited Films: By the Numbers
The 75 Best Edited Films’ years of release range from the 1920s to the 2010s — with 3 titles each in both of those decades. Most of the films cited are from the 1970s (17), followed by the ‘90s (16), the ‘60s (13), the ‘50s (8), the ‘00s (7), the ‘80s (5) and the ‘40s (3). Curiously, there were no films chosen from the 1930s. […]
Web Exclusives
OSCARS 2023: Academy Award Nominees for Best Sound Speak Out on ‘Avatar,’ ‘Elvis,’ and ‘The Batman’
“You never get used to receiving news of an Oscar nomination.” […]
Features
Sounds Unsettling: Skip Lievsay and Paul Urmson Talk About ‘Don’t Worry Darling’
“Olivia loved low-frequency sounds.” […]
Web Exclusives
Mike James Gallagher and Anthony Vanchure Talk Sound on the Al Yankovic Biopic ‘Weird’
“I was just searching for accordions in my library.”
[…]
Web Exclusives
Scott Gershin on Finding the Right Sounds for Guillermo del Toro’s ‘Pinocchio’
“What I found challenging and what required a journey was to find the sound of Pinocchio. Let’s start with wood, so you bang pieces of wood together and you go, ‘Well that doesn’t work.'” […]
