When Jacques Gravett, ACE, first started working in television, any talk of diversity in Hollywood was a long way off. The industry was comprised of mainly men, most of them white. […]
The Oscar-nominated picture editors convened on the day before the 90th Academy Awards ceremony at the Dolby Theatre — at the 18th annual Invisible Art/Visible Artists program at the American Cinematheque’s Egyptian Theatre. […]
The editing career of Monty DeGraff has been in sync with some of television’s cultural icons. Mentoring younger editors has also become an important focus for him. […]
Music editor Del Spiva chuckles when asked how he explains the job of a music editor to the uninitiated. For Spiva, explaining the job can be a Socratic experience; he throws challenges at his questioners until they comprehend the nature of his work. […]
by Edward Landler The Membership Outreach Committee recently offered three separate classes, each comprising two sessions over two consecutive days, […]
The Membership Outreach Committee has been focusing on the importance of mentorship and how to bring it back into the workplace. […]
Mentoring has always been key to the art and craft of editing. In the days before film schools, it was the only way to learn the techniques and practices of the so-called “invisible art,” […]
The Guild is a democratic organization. Members need to vote, participate in online and in-person discussions about matters of importance and play a role in steering the union. […]
For over two decades, the American Cinema Editors (ACE) has sponsored the ACE Internship Program to help bring motivated individuals into the editing profession. […]
Let’s hear it for the longtime assistant for enabling the editor to keep story as the primary focus. Assistant editors are the foundation of the editing room — organizing, interfacing and problem- solving. […]
©2016-2019 Motion Picture Editors Guild