‘Beetlejuice Beetlejuice’: Jay Prychidny on Editing in Tim Burton’s World
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
“Doug wanted to make what he called a ‘grounded popcorn action movie,'” said picture editor Doc Crotzer, ACE. […]
Goldenberg’s C.V. covers a long list of projects, ranging from big-budget actioners like “6 Underground” (2019) and Michael Bay’s “Transformers” films to quieter dramas like “Unbroken” (2014) and “Seabiscuit” (2003). […]
“You can’t just show up with backgrounds that a visual effects studio built, put the actors in front of it, and think you’re going to shoot it.” […]
“If you can keep an audience connected to the character and the story, and not lose them on pacing, then you’re doing your job well.” […]
By Patrick Z. McGavin As an undergraduate in the film department at Boston University, Sofi Marshall made a crucial […]
Littleton’s film credits include “E.T.: The Extra-Terrestrial,” “Body Heat” and “Places in the Heart,” and she also left a lasting imprint on Hollywood labor during her two terms as president of the Editors Guild. […]
By Patrick Z. McGavin Spencer Averick, ACE, has always crossed genre boundaries. Working closely with director Ava DuVernay, Averick […]
“I love it when I get into this groove and I can’t believe a half hour has gone by and I’ve just been cutting things.” […]
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