Pandemic Talent: How WME Agents Try to Keep Stressed Editors Working During Covid-19
“When the shutdown happened, we called all of our clients and talked to them and said: ‘We’re in uncharted territory.'” […]
Film
Marty Cohen, Celebrated Post-Production Executive, Dies at 67
He was the recipient last October of the Guild’s Fellowship and Service Award, given to professionals who have advanced the interests of post-production and the labor movement. […]
What Our Members Do: Brian Brennan, Trailer Editor
“You don’t see our names on the credits, but hopefully we did our part to get people’s attention and put butts in the seats on opening weekend.” […]
Amid a Real-Life Pandemic, Stephen Mirrione Recalls Editing the Terror of ‘Contagion’
“Your brain is trying to keep up and fill in the blanks, and you realize this thing is going faster than you can keep control of in your head.” […]
The Making of ‘Groundhog Day,’ as Remembered by Music Editor Sally Boldt
Music Editor Sally Boldt recalls the making of ‘Groundhog Day,’ again and again and… […]
David Heinz and William Hoy Talk About Editing Harrison Ford — and a CGI Dog — in ‘The Call of the Wild’
“We were continually changing the picture, changing the scene, because sometimes we didn’t even have two continuous shots together.” […]
Nat Sanders on Editing ‘Just Mercy’: Lost Sleep and a Delayed Honeymoon to Tell an ‘Emotional and Raw’ Tale
“I lost the most sleep and had the most revelations in the shower while working on this film.” […]
Picture Editor Shannon Baker Davis on Work, Family, and Editing Universal’s ‘The Photograph’
Shannon Baker Davis, ACE, has come a long way from Georgia. The picture editor moved to Hollywood after college and […]
From ‘Ford v Ferrari’ to ‘Parasite,’ Oscar’s Favorite Picture Editors Break Down the Year’s Top Films at IAVA
All of the Oscar-nominated editors appeared at a panel discussion during the American Cinema Editors’ 20th Annual “Invisible Art, Visible Artists” (IAVA) to talk about their films, their careers, and their craft. […]
Cut to Black: Glenfield Payne, Sound Editor and Re-Recording Mixer
“A Primetime Emmy Nominated Sound Editor knows for his work on ‘4 Little Girls’ doc, ‘Beasts of No Nation,’ and much more” […]