
From ‘Renfield’ to ‘Perry Mason’: The Creative Journeys of Editor Mako Kamitsuna
‘It’s all about making this movie fly, transform and transport audiences.’ […]
‘It’s all about making this movie fly, transform and transport audiences.’ […]
“He didn’t like cuts being in predictable places. In other words, one of the things that you often strive for in editing is to make the editing disappear: somebody finishes the line and the next person speaks, and you cut to it right away. Billy was always most interested in making unpredictable cuts that, in his mind, were better.” […]
‘Wait a minute. It doesn’t sound like it did on the mixing stage.’ […]
Marion was known for her dedication to bringing the director’s vision to the screen, and she was fiercely loyal to the many varied directors she worked with. […]
“A movie’s like an album. It has to flow properly in a lot of ways, and you have to be able to dance to the rhythm of the dialogue and the rhythm of the scenes and motion.” […]
By Mel Lambert With Dolby Atmos immersive playback now available in an increasing number of consumer environments, is it […]
“I’m a film and TV editor with experience in drama, horror, action and comedy.” […]
By Kristin Marguerite Doidge Just as the protagonists in “Aristotle & Dante Discover the Secrets of the Universe” find […]
Why ‘Sweet Smell’ Succeeded […]
By Su Fang Tham With its entrancing medley of neon-drenched kinetic action, pulpy narrative, and a retro-cool mythological world, director […]
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