
‘One of Them Days’: Editor Tia Nolan Unpacks All the Cuts in Lawrence Lamont’s Sleeper Hit
By Peter Tonguette Picture editor Tia Nolan, ACE, knows comedy. Nolan was introduced to the craft of cutting comedies […]
By Peter Tonguette Picture editor Tia Nolan, ACE, knows comedy. Nolan was introduced to the craft of cutting comedies […]
“I did not come to Los Angeles to pursue editing; I initially wanted to be a comedy writer.” […]
‘I couldn’t deal with what I was seeing. I felt betrayed.’ […]
“When I read the script, I loved it—it was a thriller with something to say, offering a peek behind the curtain of this fascinating institution. I was immediately drawn in.” […]
‘It’s a classic sports drama, but what makes it special are the place and the people.’ […]
By Patrick Z. McGavin The creative pairing of the London-born picture editor Louise Ford and the independent filmmaker […]
“When Ridley comes to the cutting room he wants to be surprised and relieved and enjoy the experience of viewing the film with fresh eyes.” […]
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
By Rob Feld David Jancsó’s path to becoming a film editor seems both inevitable and serendipitous. Born and raised […]
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
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