Featured Stories
Chris Witt Talks Editing the Bank Heist Film ‘Breaking’
“Because of the way I bootstrapped my career, it has been very wide, eclectic and involved many genres.” […]
Film
Web Exclusives
Editor Jon Poll on Finding the Laughs and the Heart in the New ‘Father of the Bride’
“This is what is really satisfying about the film: Your guard is let down by the humor, and you don’t expect that you’re going to have as emotional an experience in the end as you do.” […]
Web Exclusives
‘Bullet Train’ Editor Elisabet Ronaldsdóttir on ‘John Wick,’ Brad Pitt and Icelandic Cinema
By Patrick Z. McGavin David Leitch’s new action film “Bullet Train” plays like Agatha Christie as reimagined by Quentin […]
Web Exclusives
Shelly Westerman on Editing for Nora Ephron, ‘Only Murders In the Building,’ and More
“Richard Marks said 40% of the job is editing, and 60% is interpersonal relationships. It’s so true.” […]
Featured Stories
How Brian Kates Brought His Journey With Queer Cinema Home to ‘Fire Island’
“It’s unnatural for me to think about my editorial voice, because an editor’s job is to take our stylistic cues from the director and become one with the material.” […]
Featured Stories
WHAT OUR MEMBERS DO: Emma DuPell, Assistant Editor
“When I was a child, I was obsessed with anything animated.” […]
Web Exclusives
Nicholas Monsour Dissects the Editing in Jordan Peele’s Latest Thriller ‘Nope’
By Patrick Z. McGavin Editor Nicholas Monsour is riding the zeitgeist with an ideal collaborator, Jordan Peele, the comic actor […]
Featured Stories
Bob & Me: A 20-Year Friendship With ‘Five Easy Pieces’ Auteur Bob Rafelson, 1933-2022
By Peter Tonguette For 18 years, on and off, the director of “Five Easy Pieces” (1970) and “The King […]
Features
Totally Nuts: The Editors of ‘Jackass Forever’ Explain Its Ouch! Appeal
It’s Not All About the Kick to the Crotch. […]
Web Exclusives
Lam T. Nguyen Talks Editing ‘Emergency,’ a Buddy Comedy With a Timely Message
“It’s this love story between two guys, and that is what hooked me—this relationship we have, and the emotions these guys go through. It hits at the right tones. It’s relevant without being preachy.” […]