After “Sully,” Murray cut “The 15:17 to Paris” for Eastwood, “Glass” for M. Night Shyamalan, and recently finished “The Water Man” for actor-cum-director David Oyelowo. […]
“I’ve never worked for awards and wouldn’t ever imagine that it would be possible.” […]
For the first time this year, the Academy has combined Sound Editing and Sound Mixing into one category, Best Achievement in Sound. […]
“I did an edit without his input and sent it to him at his home in Russia. Though he didn’t say so at the time, he hated it.” […]
How a Kid Found the Heart in “Harold And Maude.” […]
“With digital everything comes to you. That means you have a lot more to look at, a lot more to assess.” […]
Even though just 37% of the entire Los Angeles theatrical market is back online, it was enough to propel the DMA to the top weekend spot on Friday with $427,2K, repping a +1,100% jump from the same period a week ago. Los Angeles […]
“Working with Charlie, there are many layers. He is so great at understanding the process.” […]
by A.J. Catoline “I have to pinch myself at times,” said picture editor James D. Wilcox, ACE. Wilcox has good […]
The Warner Bros. release marks the editor’s latest collaboration with King. Sprague also edited King’s feature debut, “Newlyweeds” (2013). The film has already won widespread acclaim and has a score of 96% on Rotten Tomatoes and 86% on Metacritic, the review aggregation websites. […]
©2016-2021 Motion Picture Editors Guild