‘Beetlejuice Beetlejuice’: Jay Prychidny on Editing in Tim Burton’s World
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
‘That was a huge lesson for me—realizing that audiences really don’t need everything spelled out.’ […]
“I do feel like I am an artist-editor, and I found my medium in college.” […]
By Patrick Z McGavin The French-American picture editor Celia Beasley is a rebel who likes to cut against […]
“You can’t do a movie about Maria Callas without using her real voice. It’s not like a rock or pop biopic where you can match the pitch.” […]
“When the movie was originally described to me before I read the script, it sounded like it was almost going to be in a single shot.” […]
“People have a misconception about what Deafness is and are afraid to ask about it. Don’t assume that I can or cannot do something. Ask and I’ll tell you.” […]
The biggest lesson is to listen. Really listen to what people are saying—whether it’s the director, the producer, or even the audience. You have to be open-minded about your work and not get defensive. […]
By Rob Feld Evan Henke has always had that fascination with a certain art form. “Ever since I was […]
Happily, there’s gold to be found on nearly every page of this engaging book. […]
By Rob Feld For Jamie Kirkpatrick, ACE, the path to editing began in the Midwest, where, as an only […]
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