Picture Editors Archives

Chad Galster, left, Kyle Clausen, and Jason King.otos by Mark Edwards

Post Crew Tells the Story Behind ‘Yellowstone,’ the Hit Western Series

June 27, 2022

“Yellowstone” is a show about land: who it once belonged to, who it belongs to now, who it might one day belong to. […]

Totally Nuts: The Editors of ‘Jackass Forever’ Explain Its Ouch! Appeal

June 22, 2022

It’s Not All About the Kick to the Crotch. […]

Veteran Editor Mark Sadlek Looks Back at the Magic of ‘Insecure’

June 17, 2022

The show, which made vivid use of contemporary Los Angeles locations and consistently tackled tough topics, premiered in 2016 and wrapped up last fall after five acclaimed seasons. […]

Lam T. Nguyen Talks Editing ‘Emergency,’ a Buddy Comedy With a Timely Message

June 16, 2022

“It’s this love story between two guys, and that is what hooked me—this relationship we have, and the emotions these guys go through. It hits at the right tones. It’s relevant without being preachy.” […]

Rahul Das, left, Terel Gibson, Kaitlyn Hollingsworth Hecker, Tim Roche, James Gadd, Rosanne Tan, Caroline Wang.

How the Post-Production Team for ‘Hawkeye,’ the Latest Marvel Epic, Hit the Target

June 16, 2022

For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]

The Editing Team Behind Ben Stiller’s ‘Severance’ Explains How the Series Spans Genres

June 8, 2022

“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three. […]

Doug Crise Talks Editing Barry Levinson’s ‘The Survivor’ for HBO

June 3, 2022

“I hope people can see this and realize this is not a history story, in a way. This is not a story of something that happened 80 years ago that is not happening right now.” […]

MPEG Events Bring Visibility to Members of Pan Pacific Asian Community

June 2, 2022

In reading works by authors prior to commercial publication, story analyst Donna Choo has the opportunity to flag emerging or underrepresented voices who “just need time to develop” before having their pieces adapted for visual audiences. “I feel like I’m infiltrating in my own way,” she said. […]