Daysha Broadway, ACE, who has led the picture editing team since Season One, was joined by Stephanie Filo, ACE, and Jessica Hernández, ACE, for Season Two. They’re the first all-women-of-color editing team to be nominated for and win an Emmy. […]
Jon Gregory, editor of such films as Four Weddings and a Funeral, Three Billboards Outside Ebbing, Missouri and In Bruges has died, a representative confirmed to Deadline. He was 77. […]
Rodriguez, who has been working with Schrader since the mid-2010s, is a comparative newcomer. The Cleveland native made his feature film debut as the editor on what was Schrader’s 19th directorial feature, the explosively original noir comedy “Dog Eat Dog” (2016). […]
Hedström’s recent feature “Candyman,” directed by long-time collaborator Nia DaCosta, is a sequel to the 1992 slasher classic. […]
Patrick McMahon, ACE, cut many horror/suspense projects, including the original, “A Nightmare On Elm Street.” He’s also edited seven pilots (five of which went to series) and documentaries including HBO’s Emmy Award-winning “Baghdad ER.” […]
MPEG nominees won for work on projects ranging from the dramas “The Crown” and “The Queen’s Gambit” to comedies such as “Ted Lasso” and “A Black Lady Sketch Show.” […]
It was all champagne and roses—er, champagne and Cheez-Its—for the Women’s Steering Committee (WSC) as it hosted its fourth annual Emmy celebration on August 22. […]
‘In The Heights’ Offers an Emotional Experience – And the Post Team Had to Find Ways to Capture It. […]
This was strike three for me — three shows in a row shut down unexpectedly. Two pre-pandemic and now this. […]
“Over the course of four films with Terry Malick, I spent a lot of time in Austin. To say we were ‘bunkered down’ during the editing process is probably an understatement.” […]
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