“You can’t just show up with backgrounds that a visual effects studio built, put the actors in front of it, and think you’re going to shoot it.” […]
Working with film took Lame back to the dawn of her career. Lame noted that most editors her age and younger have worked only in the digital world, so the film workflow may not be familiar to them. “My first job was working on a film movie, ‘Before the Devil Knows You’re Dead.’ That was shot on film, the dailies were screened on film – everything. I feel lucky to have had that early opportunity to work with film.” […]
Text-Based Editing, empowered by AI, starts by automatically transcribing your source media and generating accurate text transcripts of all the dialogue. By associating names to the different voices, Text-Based Editing will automatically identify who’s speaking. […]
By Jennifer Walden Have you heard? Audiences are complaining about unintelligible dialogue in non-theatrical content on their TVs, about […]
There certainly have been growing pains in the transition to remote editing, but it’s becoming easier to embrace this workflow as the process evolves. […]
The keynote panel addressed the topic of pivotal sound changes within the post community, including the rise of streaming services, emergent technologies and formats, plus evolution of the sound designer/re-recording mixer. […]
Here, we consider products from three of the leading developers of processor and plug-in design: Sound Particles, iZotope/Exponential Audio and Liquid Sonics. […]
Filmmaking is evolving into a parallel editing process. […]
Remote workflow has revolutionized post-production: ‘You can pretty much be anywhere’ […]
With a reported attendance in excess of 100,000 from some 160 countries, plus 1,800-plus exhibitors, the NAB Show is often described as the world’s largest convention encompassing the convergence of media, entertainment and technology — the self-styled “MET Effect.” […]
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