The panel, moderated by Guild National Executive Director Cathy Repola, offered a front-line perspective on issues faced by women in post-production, with tips, personal stories and practical wisdom from four pros in the industry. […]
“Sound is generally undervalued as a creative asset, and sound people are undervalued as creative contributors.” […]
“I do my most creative work when there are constraints.” […]
“The show’s music sets the tone.” […]
Held Saturday and Sunday nights in Downtown Los Angeles, the awards honor creative and technical achievement in numerous categories, including picture and sound editing, sound mixing, and technical direction. […]
“My biggest challenge is navigating the dynamics between producers and mixers.” […]
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.” […]
“Watching ‘Lost’ was one of the reasons I wanted to get into audio post production.” […]
The Netflix four-part miniseries When They See Us, which dropped May 31, was originally called Central Park 5. That working title identifies the overarching plot trajectory: The notorious case of five teenagers of color who were wrongly convicted of raping a white female jogger in New York, and which resulted in the use of the term “wilding” to describe out-of-control gang activity. The revised title better reflects the fate of the young people unjustly ensnared in the criminal justice system by embracing their humanity and not their politicized role. […]
With an expected attendance in excess of 100,000 this coming weekend at the Las Vegas Convention Center for key technical sessions, workshops and seminars, the annual NAB Show has become an important venue for post-production professionals. […]
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