Emmys 2019: How the Team Behind ‘Deadwood: The Movie’ Captured the Sounds of the Old West
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.” […]
“I wanted to make sure that we were hearing the right train, the right kind of Baldwin Locomotive.” […]
“Watching ‘Lost’ was one of the reasons I wanted to get into audio post production.” […]
From early in her career in the film business, Jeannette Browning recognized that she was something of a rarity. “I was really interested in dubbing, but I realized that there were no female dubbing mixers,” she says. […]
The world of episodic TV and cable has been experiencing some major challenges during recent seasons. As appointment viewing transitions to more on-demand streaming and even binge-watching, there is a pressing need to deliver increasingly innovative and enveloping soundtracks for a wider range of offerings. […]
“Developing a soundtrack is a collaborative process, from the spotting session to the dub stage,” stressed Oscar–nominated sound designer, supervising sound editor and re-recording mixer Ai-Ling Lee, CAS. […]
The Academy of Motion Picture Arts and Sciences has extended invitations to join the organization to 928 artists and executives from 59 countries — including 37 Editors Guild members in good standing — who have distinguished themselves by their contributions to theatrical motion pictures […]
With a promise of offering a novel direction for HBO’s multiple-Emmy Award-winning sci-fi drama ‘Westworld,’ its second season is also breaking new ground in the sound department. […]
To hear Robert “Bubba” Nichols describe it, working as a recordist sounds a little like serving as a fighter pilot. Okay, okay — pilots operate under life-and-death pressures in the air, while recordists toil under far less challenging conditions on a re-recording stage. […]
In the early days of the motion picture industry, progress often required that new technologies be innovated by a studio that was advancing the art of cinema. […]
When I was born and raised in the west San Fernando Valley in the late 1950s; television was black-and-white, radio was mono and AM radio channel KHJ with “The Real Don Steele” was the coolest thing. […]
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