
Bob Bronow, Unscripted TV Sound Wiz, Says This Audio Tool Has Revolutionized His Work From Home
“If I can make people watching it nervous and just a little uncomfortable, that could be something really cool.” […]
“If I can make people watching it nervous and just a little uncomfortable, that could be something really cool.” […]
Ai is expanding choices for voice and dialogue manipulation in post-production. But what are the risks? […]
For those who work in post-production, the long hours spent poring over dailies, collaborating with directors and producers, and making scenes just so are rewarded when audiences respond appreciatively. […]
Filmmaking is evolving into a parallel editing process. […]
How Soundflow Helps Simplify Tasks for Busy Users […]
Picture editor Michelle Tesoro, ACE, wasn’t a chess expert when she began working on “The Queen’s Gambit.” And she still isn’t. […]
“The company believes that building diverse crews makes both good sense and is creatively beneficial.” […]
“Figure out how to be a good person, a nice person, and one who knows how to communicate well, because those things are what will get you hired again and again more than any other ‘skills’ you have.” […]
For the first time this year, the Academy has combined Sound Editing and Sound Mixing into one category, Best Achievement in Sound. […]
The Motion Picture Academy on Sunday handed out a newly renamed Oscar for best sound — combining the prior sound editing and sound mixing categories into a single honor — and while this was a carefully considered change in the […]
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