Features
Blues People: How the ‘Sinners’ Post Team Overcame Some Devilish Creative Dilemmas
“As an editor, you always want to — in all your cuts — show the director that you know what movie you’re making.”
Year: 2026
Departments
ALAN HEIM: Looking Back at an Eventful Decade as MPEG President
If I have one hope as I leave this role, it’s that we keep listening to each other. Not just during contract cycles or moments of crisis, but all the time.
Web Exclusives
Capes & Blood Lassos: Maura Corey Talks Editing on Superhero Spinoff ‘Gen V’
“A script is a plan, but what plays on screen may not match what reads on the page. You have to stay open to restructuring so the intended drama or comedy comes through—even if it isn’t written that way.”
Web Exclusives
Myron Kerstein: Editing ‘Wicked: For Good’ and Fighting for Home
The road to finishing “Wicked: For Good” was marked by circumstances few editors could imagine.
What Our Members Do
WHAT OUR MEMBERS DO: Jeremy D. Shattuck, Visual Effects Editor
Where are you currently employed? I’m between projects. Current projects? I’m using the downtime to finish a desktop application for […]
