• Visit the Editors Guild site
  • Facebook
  • Twitter
  • Instagram
  • Home
  • News
  • Web Exclusives
  • Features
  • SECTIONS
    • Book Reviews
    • From The National Executive Director
    • Getting Organized
    • Membership Outreach
    • MPEG Diversity
    • In Memoriam
    • President’s Message
    • Tail Pop
    • Technology
    • Union Made
    • What Our Members Do
  • Issue Archives
  • About
    • History of CineMontage
    • Contact Us
    • Advertising
    • Submitting a Memorial Tribute
    • Privacy Policy
HomeWeb Exclusives

Web Exclusives

Web Exclusives

ACE Eddies 2025: Paul Hirsch and Maysie Hoy Honored with Career Achievement Awards

March 10, 2025
By Kristin Marguerite Doidge    Two legendary picture editors will be honored with Career Achievement Awards Friday on Jan. 18 […]
Web Exclusives

Show-Stealing Sandworms, ‘Substance’-Like Edits: How Local 700 Members Made Oscar Night Memorable

March 7, 2025
By Kristin Marguerite Doidge   When nearly 20 million U.S. viewers — and more around the world — tuned in […]
Web Exclusives

Joe Gall, ‘Justice League Unlimited’ Veteran, Talks About Editing Animation the Way It Used to Be

April 4, 2025
by Greg Condon   When Joe Gall began his career editing animated TV shows, the industry was on the cusp […]
Web Exclusives

IAVA 2025: Oscar-Nominated Editors Talk About Their Inspirations Amid Tough Times for Industry

March 5, 2025
“The most important advice that I would give and have gotten is [to] watch movies.”

[…]

Web Exclusives

‘Arcane’ Sound Mixers Penny Harold and Andy Lange On Pushing the Limits of Sound in Animated TV

February 28, 2025
  By Kristin Marguerite Doidge   Emmy-nominated Re-recording Mixers Penny Harold and Andy Lange are coming off their most creatively […]
Web Exclusives

‘I Made Him Watch It’: Robert Nassau Explains the Edits on ‘A Real Pain’

February 21, 2025
“After the first day of shooting in Poland, Jesse called me in a panic, saying, ‘I can’t watch myself—I’m terrible. Everything’s terrible.'”

[…]

Web Exclusives

He Loves L.A.: Dan Rovetto on His Editing Journey from Unscripted TV to ‘Suits LA’

February 20, 2025
By Kristin Marguerite Doidge    Even though picture editor Dan Rovetto, ACE, grew up in New Jersey—and got his start […]
Web Exclusives

Nicole Brik On Editing the Twists and Turns in the Dark Comedy ‘No Good Deed’

February 10, 2025
“That first season, I barely saw her in the edit, and I thought, Am I doing this right?”

[…]

Web Exclusives

‘One of Them Days’: Editor Tia Nolan Unpacks All the Cuts in Lawrence Lamont’s Sleeper Hit

February 7, 2025
By Peter Tonguette   Picture editor Tia Nolan, ACE, knows comedy. Nolan was introduced to the craft of cutting comedies […]
Web Exclusives

Modern Gothic: Louise Ford Talks Editing on Robert Eggers’ ‘Nosferatu’ Remake

January 31, 2025
  By Patrick Z. McGavin   The creative pairing of the London-born picture editor Louise Ford and the independent filmmaker […]

Posts pagination

« 1 … 5 6 7 … 67 »

DIGITAL PDF | Q1 2026

Cinemontage Q4 2025

VIEW ONLINE

Are you interested in…

2026 AAPI Heritage Month Animation Editor Apprentice Editor Assistant Editor Colorist editors guild engineer Foley Artist lobbying mpeg Music Editor Picture Editor Re-recording Mixer Sound Editor Sound Personnel Story Analyst Technical Director Visual Effects Editor

ADVERTISEMENT

UPCOMING EVENTS

Link to MPEG
Calendar

CONTACT CINEMONTAGE

7715 Sunset Boulevard, Suite 200
Hollywood, CA 90046
(323) 876-4770
CineMontage@EditorsGuild.com

Author Log-In

Stay connected
  • Facebook
  • Twitter
  • Instagram

©2016-2026 Motion Picture Editors Guild

<!-- Global site tag (gtag.js) - Google Analytics -->
Verified by MonsterInsights