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By Peter Tonguette The soundscapes conjured by British-born sound re-recording mixer Doug Turner range from the whir of whitewater […]

By Su Fang Tham David E. Kelley’s courtroom miniseries “Presumed Innocent” opens with the confident and seemingly decent attorney […]

“Beyond the aesthetic, split screens offer a lot editorially. They simplify complex story beats.”

“I don’t believe technological advancements can replace storytelling; I prefer to see AI as a resource.”

By Rob Feld When it comes to crafting the deeply personal world of Netflix’s comedy “Mo,” editors Andrea Folprecht, […]

By Kristin Marguerite Doidge For more than a century, California has served as the heart of the global […]

By Rob Feld For editors Julia Grove, Lai-San Ho, and Howard Leder, landing on Hulu’s drama series “Paradise” felt […]

Where are you currently employed? I’m finishing up on “Battleground,” a nationally syndicated show covering the “battleground states” of […]

By Peter Tonguette Daffy Duck and Porky Pig might not sound like the calmest, most congenial, or most coherent […]

“The world changed so much in 1964 and ‘65. We acknowledge that, with the music, and what’s happening on the street.”