Film editor Richard Chew and music editor Curt Sobel talk about how digital technology has affected their jobs, the recent trend toward shortened schedules, the difference between tracking and working with a composer, and more. […]
CineMontage interviewed Gerry Humphrey in his office at Twickenham Film Studios where he is the sound director, and where he has worked since 1963. […]
The job of the assistant editor has changed substantially over the last decade. […]
In this conversation, Richard Chew and Curt Sobel talk in detail about the process of music editing and how they’ve worked together to tell a story with music. […]
Sound editor and mixer Larry Blake, supervising sound editor Mark Mangini, and re-recording mixers Michael Minkler and Myron Nettinga talk frankly about the blending of sound mixing and sound editing. […]
In this conversation, re-recording mixers Larry Blake, Michael Minkler, and Myron Nettinga as well as supervising sound editor Mark Mangini, offer sharply differing views about the future of sound post production and why they work the way they do. […]
Frank Urioste and Peter Honess talk about their films, their careers and the changes they’ve seen in the business.
Steve Mirkovich and Allen Daviau discuss the importance of defending their crews, why they choose one project over another, and how they deal with the stress of tight schedules. […]
Steve Mirkovich and Allen Daviau talk about problems with previews and video dailies, the longevity of 35mm film, changes in editorial styles and more. […]
Farrel Levy and Stan Salfas talk about how a television series is put together, how editing has prepared them to be effective directors and how working in television has made it easier to balance work and family. […]
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