Features
He’ll Take Manhattan: Michael Berenbaum on ‘Hollywoodland’
“Let the editor do his job and cut it first before you come in.” Michael BerenBaum’s advice for directors
Year: 2006
Features
Big Sound, Small Budget: Sonically Recreating the Sixties for ‘Bobby’
What comes through in ‘Bobby’, from start to finish, is the trueness of all the performances and the passion that went into making it.
Tail Pop
David Lean’s ‘LAWRENCE OF ARABIA’ (1962)
‘Lawrence of Arabia’ resonated far more deeply than anything I had seen to that point.
Features
Cutting with a Conscience: Richard Chew
CineMontage spoke with Richard Chew as he was putting the finishing touches on ‘Bobby.’
Union Made
Following in Uncle Sam’s Footsteps
Getting to work with the editors makes the ups and downs of the last 51 years in this business, the greatest ride anyone could have.
This Quarter in Film History
A Photographic Memory
After 40 years, this manifesto of the emerging baby-boomer generation still holds its mystique.
Getting Organized
The Future of Labor Is in Our Own Hands
The NLRB is becoming increasingly irrelevant for workers in the United States.
Features
Secrets of a Film School Student Turned Editing Teacher
It wasn’t until I sat down with my footage that I truly learned about the art of editing.
Union Made
With Fate as a Career Guide
To this day, I’m not sure how I get jobs. I try to have a plan. I even try to network and keep informed. But jobs come and go for the most quixotic reasons.
Book Reviews
Cinema Europa: Is American Editing Lost in Translation?
The diversity of techniques and point of view in Roger Crittenden’s new book on European film editing is fairly astonishing.
