“3-D doesn’t have to be things constantly flying in your face. If you feel like you’re immersed within this space in front of you and interacting with this fantasy world, …
Garrett Gilchrist
Garrett Gilchrist
Garrett Gilchrist is a director, screenwriter and editor. He has been contributing to Editors Guild Magazine and CineMontage since 2008. Contact him via his website, orangecow.org.
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“I let the actors’ eye movements guide my cuts. When an actor looks to someone else, I wait until they’ve looked, then cut to where they’re looking. It’s a simple …
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Features
Pietro Scalia Maestro of Movie Editing Meets the Merrie Men of Sherwood Forest
11 minutes readFilm combines all the art forms––drama, theatre, photography, dance, music, architecture––but editing is very special and specific to film. It was borne out of film; it didn’t exist before that. …
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Features
Disney’s Great Green Hope: Can ‘The Princess and the Frog’ Save Hand-Drawn Animation?
10 minutes readAfter the death of its founder, the Walt Disney Company struggled. It hadn’t had a big animated hit in years, until Ron Clements and John Musker directed The Little Mermaid …
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Sharp dialogue. Splintered chronology. Bursts of extreme violence. Must be Quentin Tarantino. Sally Menke, A.C.E. has been there every step of the way… providing the brilliantly bold cutting for all …
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Features
‘Monsters’ Mash-Up: Joyce Arrastia and Eric Dapkewicz Pioneer 3-D Editing in Animation
15 minutes readDreamWorks Animation’s Monsters vs. Aliens may seem like your average CGI-animated blockbuster. But it’s more than that; it’s the first animated feature from DreamWorks that’s been planned, start to finish, …
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