Stanley Kubrick’s ‘2001: A Space Odyssey’
This was unlike any movie I had ever seen. The movie unfolded with a slow, measured pace, revealing image after gorgeous image. […]
This was unlike any movie I had ever seen. The movie unfolded with a slow, measured pace, revealing image after gorgeous image. […]
Though Jack Sullivan won an Oscar for Best Assistant Director for ‘The Charge of the Light Brigade’, it is the breathtaking editing by George Amy of the charge that makes the film a classic. […]
Watching ‘Member of the Wedding’ made me aware for the first time of the art of editing. […]
‘Cabaret’ proved that a mainstream musical could feature avant-garde editing and design, and be sexually unconventional and political. […]
Napoléon vu par Abel Gance has had as many comebacks as the conqueror it portrayed, yet has always remained Waterloo-proof. […]
Chaplin’s on-screen mixture of humor, acrobatics and pathos has an almost magical ability to put a smile in one’s heart. […]
High Noon has often been interpreted as an anti-McCarthy era story of mass cowardice when confronted by evil. It is a moot point now because the story has multiple meanings as a personal epiphany. […]
After seeing ‘The Graduate’, I realized that movies could be an art form. […]
‘The Manchurian Candidate’ reveals how the two sides of extremism can destroy centrist politics. […]
‘The Third Man’ cleverly uses its Viennese locations to deepen the intrigue; the city itself becomes a character in the film. […]
©2016-2021 Motion Picture Editors Guild