Features
The Editing Team Behind Ben Stiller’s ‘Severance’ Explains How the Series Spans Genres
“Severance” doesn’t land directly in the middle of the thriller, comedy, or sci-fi genre, but the series does combine all three. […]
Features
Features
Doug Crise Talks Editing Barry Levinson’s ‘The Survivor’ for HBO
“I hope people can see this and realize this is not a history story, in a way. This is not a story of something that happened 80 years ago that is not happening right now.” […]
Features
Lucian Johnston Talks Editing Joel Coen’s ‘The Tragedy of Macbeth’
How editing taught Lucian Johnston the secrets of ‘Macbeth’ […]
Features
How the Post Team Captured That French Magic in ‘Emily in Paris’
What the ‘Emily in Paris’ editors learned about cutting and comedy […]
Cover Story
Michael Kahn and Sarah Broshar Sing of the Joys of Editing ‘West Side Story’
How Michael Kahn and Sarah Broshar Edited Steven Spielberg’s ‘West Side Story’ […]
Features
Cathy Repola: Members Are Calling for Change. Here’s How We’re Answering.
Here’s How We Can Move Toward Change […]
Features
Want to Edit Funnier? Let Roger Nygard Show You How
A new book explains how to approach comedy (Hint: Make it faster) […]
Book Reviews
BOOK REVIEW: ‘The Art and Craft of Motion Picture Editing’
A new book looks at the craft of picture editing from a fresh perspective […]
Cover Story
How Affonso Gonçalves Found the Right Cuts in ‘The Lost Daughter’
How Affonso Gonçalves brought his ‘alive and buoyant’ editing to ‘The Lost Daughter’ […]
Features
Pam Martin Serves Up the Edits in Tennis Biopic ‘King Richard’
How Pam Martin found the right shots in the tennis biopic ‘King Richard’ […]
